2023年3月14日 星期二

(分享給Kenta Saito和Aki Matsumoto)極優異的音樂呈現和傾訴的能力，也就是一種「向心凝煉」的特質。 (Share with Kenta Saito and Aki Matsumoto) Excellent music presentation and ability to make us feel the imagination of music, which is a kind of "centripedal convergent pulling" characteristics.

【修己揚他/AskSelf】【意念/EN】【音樂/Music】【教育/Education】【反轉向上/ReverseUp】
(分享給Kenta Saito和Aki Matsumoto)極優異的音樂呈現和傾訴的能力，也就是一種「向心凝煉」的特質。
(Share with Kenta Saito and Aki Matsumoto) Excellent music presentation and ability to make us feel the imagination of music, which is a kind of "centripedal convergent pulling" characteristics.

Kenta Saito 真的是好美的音樂與您的內涵啊。您在好多的音符銜接和與會之間，充滿了溫暖的歌唱；那是一種音樂的流動與自在，一種生命的體現與飛揚。
It's really beautiful music and your connotation. You are full of your warm singing in between the cohesion and participation of notes. It is a kind of flow and freedom of music, a kind of embodiment and flying of life.


還有這位好有魅力以及韻律的鋼琴家 AKI Matsumoto ，我原先看了Andy Scott的各個版本的例譜，本想說鋼琴與樂器對話，如果能以稍微節奏型態的方式來唱和，也許更能引動這首樂章。想不到您的詮釋，就這樣貼切地展現了那內在的美麗！
There is also this charming and rhythmic pianist Aki Matsumoto. I have read Andy Scott's demo scores in various versions on his page. I am just thinking that the dialogue between the piano and the instrument may be more flowing if it can be sung in a more slightly rhythmic way. What is amazing is your interpretation, which shows the inner beauty of this piece of music so aptly!

再麻煩您們代我轉達給田中奏一朗(Souichiro Tanaka)與和仁将平( Shohei Wani )，謝謝你們。
Please pass this on to Souichiro Tanaka and Shohei Wani on my behalf, thank you.

這首樂曲改編自Andy Scott 《And Everything is Still》，也拜託 Andy Scott 一定要為這美好，修訂發行給這個世界，讓我們再次欣賞眾多優異音樂家的神采啊！
This is a rearrangement of Andy Scott's "And Everything is Still", and just beg Andy Scott to revise and release it to the world again for such beauty, so that we can appreciate the glow of many outstanding musicians again!

想更多欣賞Kenta Saito與Aki Matsumoto，一定不能錯過他們的 John Mackey 《Concert for Soprano Saxophone and Wind Band》，精采絕倫！
If you want to appreciate Kenta Saito and Aki Matsumoto more, you must not miss this John Mackey "Concert for Soprano Saxophone and Wind Band", which is brilliant!


Kenta Saito和Aki Matsumoto，你們兩人都有極優異的音樂呈現和傾訴的能力，也就是一種「向心凝煉」的特質。這種內涵十分重要，你們也可依據自己感受到的某種內斂質感，對於樂曲、教學以及創作等面向進行擇練喔。
Kenta Saito and Aki Matsumoto, both of you have excellent music presentation and ability to make us feel the imagination of music, which is a kind of "centripedal convergent pulling" characteristics. This kind of connotation is very important, and you can also choose to practice music, teaching, and creation according to a certain introverted texture you feel.

可以試著反覆觀看這部影片，然後試著將我的手的旋轉、快慢、停頓、延展，以及對應環境等因素，轉換成音樂的迴旋、速度的展現、音樂的呼吸、聲音的延展，以及情感的體現等想法。只需要多嘗試幾次，你們必然能感受與察覺那細微的差異。
You can try to watch this video repeatedly, and then try to convert the rotation, speed, pause, extension, and corresponding environment of my hand into the ups and downs of music, texture of speed, the breath of music, the extension of sound, and emotional expression with any idea. You only need to try it a few times, and you will definitely be able to feel and perceive the subtle difference.

More content: 2022-12-01 https://porschewu0714.blogspot.com/2022/12/quantum-path-is-just-possibility-of.html

再欣賞Aki Matsumoto在這一首音樂中，呈現生動與令人愉悅的擺盪。擔任Baritone Saxophone演奏者的田中奏一朗(Souichiro Tanaka)，這段12:22開始，有點像是Walking Bass的橋段，倘若多一點Singing和Grooving的可能，先透過Slur、Legato和Cantabile的想像後，再Phrasing，我想定能將整首音樂呈現更細膩的詮釋呢！
Then enjoy Aki Matsumoto's lively and pleasing swing in this piece. In addition, Souichiro Tanaka, who plays Baritone Saxophone, starts at 12:22, which is a bit like a Walking Bass bridge. If there is a little more possibility of Singing and Grooving, first go through the imagination of Slur, Legato and Cantabile, and then Phrasing , I think it will definitely present a more delicate interpretation of the music!
Shohei Wani 《Collection of Beat - Baritone Saxophone & Piano》


這位和仁将平( Shohei Wani )的編曲，也呈現很多風貌與精彩可期呢！
The arrangement of Shohei Wani also presents many styles and wonderful things to look forward to!
With ensemble 《フィロソフィーのダンス – ドント・ストップ・ザ・ダンス》


Also share with 陳一夫 楊宇綸 吳松庭 陳榮昇 李商宇 黃瑀萌 陳政宇 邱暐茹 楊朝翔 林子祥 江靖波 Yen-Yin Chu 宋光清 (宋老師無法tag，應該是他正在大轉換，目前最可能的是意念形守護元神，即老師的自我或意念系統正在反轉。我想老師的身體應該會開始變更舒服、年輕且自在喔！剛好我看到您即將的演出和神采，都十分帥氣亮眼呢！) 莫啟慧 Hsiuchin Lee Tonic 5 Allen Peng 劉勁男 加藤徹平 Wan-Yun Liang Horner Liu 林昀宏 林希哲 Yun-Ting Chen John Huang 張浩 林祐民 郭恩慈 Luc Lee Yen-Yen Yen-Chao Chang 吳鳳媖 陳建安 黃詩堯 鄭慧豐 余濟倫 廖晏樟 賴河泰 邱浩瑋 張國威 符秦僥 陳逸倫 顏慶賢 我是江老師 Piano Chun-Chieh Algis Matonis Adam Frey 溫瑟爾

==

這是我2023-01-24分享給Timothy McAllister有關Andy Scott 《Three Letter Word》的內容。
This is what I shared with Timothy McAllister on 2023-01-24 about Andy Scott's "Three Letter Word".

Timothy McAllister Timothy，我好喜歡你演奏的這首曲子， Andy Scott 的Three Letter Word。
Timothy, I really like this piece you played, Andy Scott's Three Letter Word.

這首曲子開頭雖然有著剛毅果敢的每一步，但每一句結尾都是那樣銳利。即便徜徉在高低與低音的迴盪之中，仍成了劃破了的傷。
Although there are resolute and courageous steps at the beginning of this piece, the ending of each sentence is so sharp.  Even wandering in the reverberation of high and low and bass, it still becomes a scratched wound.

每一顆音符都充滿了無比內隱的糾結，持續的衝擊演奏者，一波接一波的情緒湧現。
Each note is full of incomparable hidden entanglement, which continuously impacts the player, and waves of emotions emerge one after another.

樂音，時而高亢，時而低鳴。
Music sounds, sometimes high-shouting, sometimes low-roaring.
音樂，時而狂嘯，時而深沈。
Music, sometimes resounding, sometimes low back and depressed.

尾段的琶音，就像是一種喃喃的傾訴。
The arpeggio at the end is like a kind of whispering confession.

步入尾聲的長音符，再捲回的末句，讓人真希望 Andy 能再創造更多的一絲光，讓這結尾引往更呼應最後的一聲迴響。
The long notes that come to the end, and the last sentence that rolls back, make people really hope that Andy could create more glimmer of light, so that this ending would response to the last echo.

更希望我們遇見更多那美好。
Wish we would meet more of that beauty.


==Intro

Three Letter Word is dedicated to the music and memory of the Swedish composer and pianist Esbjorn Svensson, who was tragically killed in a diving accident on 14 June 2008, aged only 44 years.
Three Letter Word是獻給瑞典作曲家和鋼琴家 Esbjorn Svensson的音樂和回憶，2008-06-14，他於一次潛水事故中不幸往生，年僅44歲。

The title of the piece, Three Letter Word, came about from coincidence and names or phrases that may be abbreviated: Esbjorn Svensson's group, the commissioning body, the players that the piece was written for, and maybe most importantly given the dedicatee, the words 'rest in peace'.”
作品的標題，三個字母詞...也許最重要的是給予奉獻者，這個字詞「安息」。

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