"The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers." You can prove such thinking in the future, and it would definitely contribute more to music and be more meaningful to the musicians on stage. Our existence is to share the music and thoughts that we treasure and touch in our hearts with performers and the audience, so that we can be worthy of our selves and the heaven and the earth.
您和許瀞心急著封鎖，恐怕並非出於我的直白，而是恐懼和坐大。接下來兩位的長相和演出會如何，讓我們好好欣賞，有夠精彩！
You and Hsu Ching-Hsin are eager to block me, I'm afraid it's not out of my straightforwardness, but out of fear and arrogance. Let us enjoy what the next two would look like and perform, it’s exciting!
★很多人長相聲音變得和從前大不同(衰跌)，台下渙散，未來會更誇張。
Many people's appearance and speaking voice have begun to become very different from before (decline), they seem looser off stage, and they would be even more exaggerated in the future.
★希望各位知道世界正如何運行而已，對自己負責便可以。
Just hope you know how the world is running and just be responsible for yourself.
讓我們看看許瀞心的模樣，在未來會更讓人感到震驚，好好欣賞！
Let's take a look at Hsu Ching-Hsin's appearance. It would be even more shocking in the future, so enjoy it!
仔細看，其實是不同人，從眼睛便看得出來，各位自己日後應該多留意別人的眼神！
Look carefully, we could actually tell from the eyes that different people are different. Everyone should pay more attention to the eyes of others in the future!
這可不是化妝效果，而是濫用他人的欣賞和意念而為之，包含來自於學生們、同儕們、孩子們。各位越用心觀察，越可以看到差異！
This is not a cosmetic effect, but a misuse of other people's appreciation and ENs (thoughts), including students, peers, and children. The more we observe carefully, the more we can see the difference!
Source 2024-05-14
Source 2024-05-23
有些人透過過往取得的意念，在舞台上顯露傑出，平常卻是無光。
Some people appear outstanding on the stage through previously obtained ENs (thoughts), but they are lackluster in the daily life.
馬定一 的曲子您指的有點不知所云。不知道呂紹嘉您如何和樂團排練，這過程對你、團員和我們才是更重要的。看得出來有點指不下去(當然有其他原因，就不多說了)。我相信這也是因為我們心中並沒有在歌唱或表達，甚至，都忘了呼吸，對嗎？
Ma Ting Yi's music is a bit unclear. I don’t know how you rehearse with the orchestra, but I think this process is more important to you, the musicians on stage, and us. It can be seen that your conducting is a little bit inadequate(of course there are other reasons, but I won’t go into details). I believe this is also because we are not singing or expressing in our hearts, or even, forgetting to breathe, right?
天地意念是錄得到的，以一種迴旋擺盪的質感呈現，我認為您可以確認一下錄音。
The ENs (thoughts) of heaven and earth were recorded and presented in a whirling and oscillating texture. I think you can confirm the recording.
音樂(聲音、意念)，如同準備斟茶，再取回自己品味，而後分享回甘或苦澀。
Music (sounds, thoughts) is like preparing to pour tea, then taking it back to taste, and then sharing the sweetness or bitterness.
各位也該聽聽馬定一的描述，是否和我這後來才寫下的分享出奇地相似，只是方向相反呢！？
We should also listen to Ma Ting Yi's description. Is it surprisingly similar to what I shared above, which I wrote later, but in the opposite direction!?
I. 聽到遠處傳來的聲音 Hear a distant sound
II. 逐漸接近那個聲音 Getting closer to that sound
III. 在森林裡有鐘聲響起 There are bells ringing in the forest
這首曲子描寫被其他來源牽引，而我對音樂的描述則是找到自己並延展自己。
This piece is about being pulled by other sources, whereas my description of the music is about finding ourselves and stretching ourselves.
這首曲子描寫被其他來源牽引，而我對音樂的描述則是找到自己並延展自己。
This piece is about being pulled by other sources, whereas my description of the music is about finding ourselves and stretching ourselves.
This violin concerto is a very nice piece of music, but for this more classical music, how come you focus on the score? Therefore, the first movement was also a bit difficult of your conducting, even the solo is affected, and I think it is of course because you can feel that the environment was talking about you, right? In the third movement, the soloist and the orchestra realize how to transmit and render the music and sound, so it makes us feel that the music was refreshed and brave to try.
下半場因為您較熟悉幻想交響曲，才透過eye contact給了較多的支持，所以音樂較悅耳且明確許多。然而，聲部語法的統一性、音樂的交會疊合等，都可以更用心引導團員。
In the second half, because you are more familiar with Symphonie Fantastique, you gave more support through eye contact, so the music is more pleasant and clear. However, the unity of the articulation, the interplay and superposition of the music, etc., can all more carefully share with the orchestra members.
不應認為 北藝大音樂學系Department of Music, T.N.U.A. 他們只是音樂系管弦樂團，而應該做更多的努力和準備。很多事情，得「自抑修己，欣賞揚他」，況且，也只有下半場才能感受到您預備拍的呼吸，對嗎？
They should not be thought of as just the music department orchestra, but we ourselves should make more efforts and preparations. For many things, we have to "restrain ourselves and cultivate ourselves, appreciate and praise others." Moreover, only the second half would we be able to feel your breath of the preparatory beat, right?
https://www.facebook.com/tnuamusic/posts/pfbid0oMFHLUEjg53QV58TmLZ4jcg2gxRKknxbWSy4jtUgvXTKyr3ZiMFm2KC5mhL5DAy4l
附上的影片是我用想的引導蟲鳴齊唱《魯冰花》。
The attached video shows me taking my thoughts to sing "Lupinus" with the insects.
==
2024-04-27_(分享給朗朗和Sir Ian McKellen)越懂得「自問自答，反求諸己」與「自抑修己，欣賞揚他」的人，除了能力，還有更多的介接資源，因為珍惜「真心」和「用心」。各位發自真心地讚嘆和感受，必然會有他人來協助，無須多言。
(Shared with Lang Lang and Sir Ian McKellen) The more people know how to "ask and answer questions for yourselves, and seek yourselves" and "restrain yourself and cultivate yourself, appreciate and praise others", in addition to abilities, they also have more intermediary resources, because space-time cherishing "sincerity" and "intention". If we sincerely praise and express the feelings, others will surely assist in many things, so there is no need to say anything.
https://porschewu0714.blogspot.com/2024/04/sir-ian-mckellen-shared-with-lang-lang.html
https://porschewu0714.blogspot.com/2024/04/sir-ian-mckellen-shared-with-lang-lang.html
2024-06-22_音樂不只是速度、張力或語法，樂音的想像之中，有著更細膩趨近的質感，包含不同的織體與相會的泛音之間。真正好的音樂饗宴具備的標準，不僅是音樂演奏的表達，指揮、音樂家們和樂團的音樂，是有力量且能位移與盤旋的質感。
Music is not just about speed, tension or articulation. In the imagination of musical sounds, there is a more delicate approaching texture, including different textures and overtones that meet. The standard for a truly good music feast is not only the expression of music performance, but also the music of the conductor, musicians and orchestra, which is powerful and capable of moving and whirling texture.
https://porschewu0714.blogspot.com/2024/06/music-is-not-just-about-speed-tension.html
https://porschewu0714.blogspot.com/2024/06/music-is-not-just-about-speed-tension.html
2024-06-22_音樂不只是速度、張力或語法，樂音的想像之中，有著更細膩趨近的質感，包含不同的織體與相會的泛音之間。真正好的音樂饗宴具備的標準，不僅是音樂演奏的表達，指揮、音樂家們和樂團的音樂，是有力量且能位移與盤旋的質感。
Music is not just about speed, tension or articulation. In the imagination of musical sounds, there is a more delicate approaching texture, including different textures and overtones that meet. The standard for a truly good music feast is not only the expression of music performance, but also the music of the conductor, musicians and orchestra, which is powerful and capable of moving and whirling texture.
Also share with Apo Hsu Aikuang Sun Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 Hsing-Chwen Giselle Hsin 葉綠娜 彭孟賢 Meng-Hsien, Peng Meng-Hsien Peng Yen-Yin Chu 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 張玉胤 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Sabrina ChenPing Wesley Chia Wei Lin 錢宏洋 林清山 唐孝良 郭靖威 沈伯駿 余濟倫 YuanPu Chiao NSO國家交響樂團 Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 台北愛樂合唱團Taipei Philharmonic Chorus Theodora Pavlovitch Ekaterina Shelehova Adam Chou 黃偉傑 蔣啟真 郭靖沐 Tonic 5 李長昆 蔣仲杰 王淞賢 郭恩慈 John Huang Brian Hanz
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 江靖波 陳榮昇 李商宇 宋光清 張景民 Canon Huang 鄭吉良 莊清霖 張浩 杜英麟 陳一夫 黃瑀萌 林祐民 吳松庭 林子祥 胡志瑋 梁婉筠Wan-Yun Liang 林昀宏 Yun-Ting Chen Yen-Yen Yen-Chao Chang 邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 陳瑋琮 楊忠衡 劉仰智 陳彥豪 Martha Argerich Lang Lang - 郎朗 Daming Zhu 諸大明 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 Andy Scott Ayako Takagi Kenta Saito Yoshiko Matsumoto Jin Ta Steven Mead
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