我推薦各位一個非常好測試自己聆聽音樂的程度。就是聆聽演奏者的音樂直至6:40時，當我們不約而同和演奏者有著相似的呼吸時，代表著的確有很好的音樂感知。是否如此準確，一聽便知！
I would like to recommend a very good test for our level of listening to music. Just listen to the performer's music until 6:40. When we coincidentally have the same breathing as the performer, it means that we do have a good sense of music. You will know whether it is so accurate after listening!
相信跟著做的人，在聆聽到6:40時，會理解演奏者為何此時才做了些微吐氣(喘息是因為持續引動後的稍作release)。
I believe that those who follow along will understand why the performer exhaled slightly at 6:40 (the breath is a slight release after continuous deeply inhaling).
只要能理解6:40-6:50呼吸之力量和引動源於何處之人，演奏(指揮、吟唱)的音樂，自能引動人心(超越好聽)。
Anyone who can understand the power of the breathing at 6:40-6:50 and where the pulling comes from would be able to move people (beyond sounding perfect) by playing (conducting, singing) music.
逐漸感受那越來越清晰的音樂和生理狀態後，這對於未來的音樂和意念學，又往前了一部。其中的一部分機制，便是Widmann嘗試探尋的「辨識調性的內部重力」。
As we gradually feel the increasingly clear music and physiological state, this is a step forward for the future study of music and EN(thoughts). Part of the mechanism is what Widmann was trying to find: the "the detection of the inherent gravitation of tonality."
如若Widmann想探尋的方向正確，我很肯定，這是當代音樂浪潮之核心！
If the direction that Widmann wants to explore is correct, I am sure that this is the core of the contemporary music wave!
一、2025-03-25_非常之精采啊，親愛的 Lang Lang - 郎朗 ！我聽到好多你音樂中的蹺蹺板(吟唱在我們心中)！除了高低音、旋律和和聲，還有音樂發展的延續，得以讓旋律線徜徉自在。除了你心中的音樂，試著想像在樂音飄揚的其他存在，只要在演奏時，心中的場景還有環境和他人，音樂便能進一步觸及延伸至彼此[1]。
Very wonderful and touching, dear Lang Lang! I hear a lot of Seesaw (Singing in Our Hearts) in your music! In addition to the high and low notes, melody and harmony, there is also a continuation of the musical development, which allows the melodic line to wander freely. In addition to the music in your mind, try to imagine other beings where the music is playing. As long as you keep the scene, environment and others in your mind while playing, the music can further reach and extend to each other[1].
https://www.facebook.com/watch/?v=1155425509695106
最後，請你仔細聆聽自己演奏的這段音樂，屏息(像停止呼吸)但身體又要想像持續緩慢深呼吸，從很遠引動至腳底，甚至更深。緩慢吸氣的同時，上半身、脖子和頭部，持續地緩慢上揚。持續吸氣到演奏的那個長音結束的大跳才緩緩放鬆與稍微吐氣，你一定要嘗試，並一次次感受你自己[2]！
Finally, please listen carefully to the music you are playing. Hold your breath (as if you are stopping breathing), but imagine that your body is taking slow, deep breaths, starting from far away and moving down to the soles of your feet, or even deeper. While inhaling slowly, continue to slowly raise your upper body, neck and head. Continue to inhale until the big jump at the end of the long note you are playing, then slowly relax and exhale slightly. You must try it and feel yourself again and again [2]!
二、2025-03-22_親愛的 Lang Lang - 郎朗 ，上次和你分享：不用擔心長相(眼睛變大→很多人都在轉換，包含你移動到不同國家也會轉成不同樣子喔！)。把你說的內容(意思、概念、想法)以稍微緩一點的質感連結起來，molto tenuto。這也許會讓你感到稍微疑惑，你可把自己的聲音(想法)想像在水中傳達那樣的方式，也就是，講話的聲音(想法)黏著於前後的黏性多一些。
Dear Lang Lang, last time I shared with you: Don’t worry about your appearance (eyes become bigger/loose→ many people are changing, including you will look different when you move to different countries!). Connect what you are saying (meaning, thoughts, idea) with a slightly slower texture, molto tenuto. This may be a little confusing to you, but you can imagine your voice (thoughts) as if you were conveying them in water, that is, the sound (thoughts) of speaking sticks more to the front and back.
如果你上次有跟著蟲鳴吟唱《魯冰花》，那麼，我要你再一次以更緩的速度跟著影片唱。如果你能發現，影片的速度可以隨之變慢(或是你能聽見蟲鳴歌唱之中，有一條更慢移動旋轉的旋律線→甚至你總能發現有更緩的可能存在)，那麼就用我的分享訓練你自己的「蹺蹺板平衡桿」。若是你明白我的意思，也許你會發現這樣的嘗試，不只對音樂的空間感有很大的影響，對於長相(眼睛)，也有相關喔！
If you sang "Lupinus" along with the chirping of insects last time, then I want you to sing it again along with the video at a slower speed. If you can find that the speed of the video can be slowed down (or you can hear a slower moving and rotating melody line in the singing of insects → even you can always find the possibility of slower speed), then use this sharing video to try your own "seesaw balance bar". If you understand what I mean, you may find that such an attempt not only has a great impact on the spatial sense of music, but also has a relevant impact on our appearance (eyes)!
https://porschewu0714.blogspot.com/2024/06/one-movie-lucy-can-humans-do-it-what-is.html
★★★★★蹺蹺板便是，看你能緩到什麼程度，同時，還能與自己的意念(想法)牢牢地相連在一起。
The seesaw is about how far you can slow down and at the same time, stay firmly connected with your own EN(thoughts).
★★★★★演出的音樂，會因為自己動心和欣賞的層級不同而產生音場的差異。即便是自己狀態相同(接連演出的曲目)，都會有很大的差異，這是我們現在最好的學習時機。
The music performed will have different sound fields depending on the level of one's feelings and appreciation. Even if we are in the same state (performing musics consecutively), there would be big differences about the sound. This is the best time for us to learn now.
來源 Source: https://www.facebook.com/watch/?v=1040111921328374
吳時捷(Porsche Wu, Wu ShihJie)的部落格，分享日常的所見所得。
2025年4月11日 星期五
我推薦各位一個非常好測試自己聆聽音樂的程度。就是聆聽演奏者的音樂直至6:40時，當我們不約而同和演奏者有著相似的呼吸時，代表著的確有很好的音樂感知。是否如此準確，一聽便知！ I would like to recommend a very good test for our level of listening to music. Just listen to the performer's music until 6:40. When we coincidentally have the same breathing as the performer, it means that we do have a good sense of music. You will know whether it is so accurate after listening!
我的內容有多重要，得用事實來看！這也是為何2024年中開始，陳文茜、彭文正、周玉琴、朱學恒、葛斯齊、溫朗東、林月琴、陳培瑜、葛如鈞、吳音寧、李貴敏、吳春城、羅淑蕾、羅文嘉、張延廷、劉坤鱧、孫振元、陳鴻源、王孝維、沈志霖、吾爾開希、中央健康保險署前署長 李伯璋，產學各界包含佛光大學校長 何卓飛、臺藝大前校長 陳志誠、經濟學家 杜震華、中國惠普前總裁/德州儀器前亞太總裁/富士康集團前副總裁 程天縱、NEXCOM董事長 林茂昌、好事聯播網 副董事長 孫吳也、前中央通訊社董事長 陳國祥、財經時事評論員 黃世聰、資深媒體人 唐湘龍、台北影音節目製作商業同業公會理事長 陳仲祺、遠流出版公司董事長 王榮文、《Heho健康》創辦人兼董事長 張璨、台灣設計研究院 TDRI 副院長 林鑫保、策略思維商學院 院長及專業講師 孫治華、新文化基金會 董事長 林大雄、數位時代總編輯 王志仁、還有許多科學家、教授、音樂家們等人願意立即加入朋友？並非表示什麼，而是為了我們自己可以接收一些重要事實來共進未來、調整自我。這些人的用心與勇氣值得分享。為了台灣和中國的未來，相對位高權重者和媒體們，理應接收這些資訊，包含我分享中國、美國和全世界的內容。未來與認知有關，更可追蹤或加入朋友，接收這些天地最美且實在的聲音與內容，共進未來！【Info】我念資訊管理。畢業後，指揮管樂團至30歲。
I studied in information management in the university. After graduating, I conducted university wind bands until the age of 30.
30歲後，我歷經資訊專員、數位整合行銷、產品副理，歷經了三份工作、三個產業、三種級別，四年間全被炒魷魚。儘管產業從來不一樣，卻總能往上前行。
After that, I experienced Programming Specialist / Marketing Specialist / Product PM, went through 3 jobs, 3 industries, 3 levels, all were fired in 4 years. Although it's never in the same industry, can always be promoted.
還和樂團與國外歌者演出了幾場歌劇。
Also performed several operas with some orchestras and foreign singers.
2021-01-27起，我一直透過日常重新學習，反覆確認與修正自己，同時試著協助解讀天道系統，可簡單理解為《星際大戰》中的「原力(the force)」。
非常之精采啊，親愛的 Lang Lang - 郎朗 ！我聽到好多你音樂中的蹺蹺板(吟唱在我們心中)！除了高低音、旋律和和聲，還有音樂發展的延續，得以讓旋律線徜徉自在。除了你心中的音樂，試著想像在樂音飄揚的其他存在，只要在演奏時，心中的場景還有環境和他人，音樂便能進一步觸及延伸至彼此[1]。 Very wonderful and touching, dear Lang Lang! I hear a lot of Seesaw (Singing in Our Hearts) in your music! In addition to the high and low notes, melody and harmony, there is also a continuation of the musical development, which allows the melodic line to wander freely. In addition to the music in your mind, try to imagine other beings where the music is playing. As long as you keep the scene, environment and others in your mind while playing, the music can further reach and extend to each other[1]. 最後，請你仔細聆聽自己演奏的這段音樂，屏息(像停止呼吸)但身體又要想像持續緩慢深呼吸，從很遠引動至腳底，甚至更深。緩慢吸氣的同時，上半身、脖子和頭部，持續地緩慢上揚。持續吸氣到演奏的那個長音結束的大跳才緩緩放鬆與稍微吐氣，你一定要嘗試，並一次次感受你自己[2]！ Finally, please listen carefully to the music you are playing. Hold your breath (as if you are stopping breathing), but imagine that your body is taking slow, deep breaths, starting from far away and moving down to the soles of your feet, or even deeper. While inhaling slowly, continue to slowly raise your upper body, neck and head. Continue to inhale until the big jump at the end of the long note you are playing, then slowly relax and exhale slightly. You must try it and feel yourself again and again [2]!
【修己揚他/AskSelf】【意念/EN】【場域/FIELD】【時空/SpaceTime】【反轉向上/ReverseUp】【教育/Education】【影視/Film】【音樂/Music】
非常之精采啊，親愛的 Lang Lang - 郎朗 ！我聽到好多你音樂中的蹺蹺板(吟唱在我們心中)！除了高低音、旋律和和聲，還有音樂發展的延續，得以讓旋律線徜徉自在。除了你心中的音樂，試著想像在樂音飄揚的其他存在，只要在演奏時，心中的場景還有環境和他人，音樂便能進一步觸及延伸至彼此[1]。
Very wonderful and touching, dear Lang Lang! I hear a lot of Seesaw (Singing in Our Hearts) in your music! In addition to the high and low notes, melody and harmony, there is also a continuation of the musical development, which allows the melodic line to wander freely. In addition to the music in your mind, try to imagine other beings where the music is playing. As long as you keep the scene, environment and others in your mind while playing, the music can further reach and extend to each other[1].
最後，請你仔細聆聽自己演奏的這段音樂，屏息(像停止呼吸)但身體又要想像持續緩慢深呼吸，從很遠引動至腳底，甚至更深。緩慢吸氣的同時，上半身、脖子和頭部，持續地緩慢上揚。持續吸氣到演奏的那個長音結束的大跳才緩緩放鬆與稍微吐氣，你一定要嘗試，並一次次感受你自己[2]！
Finally, please listen carefully to the music you are playing. Hold your breath (as if you are stopping breathing), but imagine that your body is taking slow, deep breaths, starting from far away and moving down to the soles of your feet, or even deeper. While inhaling slowly, continue to slowly raise your upper body, neck and head. Continue to inhale until the big jump at the end of the long note you are playing, then slowly relax and exhale slightly. You must try it and feel yourself again and again [2]!
https://porschewu0714.blogspot.com/2025/03/lang-lang-molto-tenuto-dear-lang-lang.html
郎朗，只要你試著用我分享的內容這樣做幾次，相信連你聽自己的音樂，都能感受到自己的雞皮疙瘩，還有那種舒暢的感動。
Lang Lang, as long as you try to do this a few times with what I shared, I believe that even when you listen to your own music, you will feel your goose bumps and that kind of comfortable feeling.
反覆思考，試驗和印證後，再和我們分享那樣親愛的你喔！
After repeated thinking, experimentation and verification, share your dear self with us!
讓我又不禁想起 Yen-Yin Chu 朱彥穎老師說過的「(如果我沒記錯的話)以吸引動吐氣，肋骨胸腔持續上揚，就像是對抗地心引力」，還有那「恣意狂妄地吐氣」，讓人聽了就好生欣喜，好心嚮往。每一次聆聽上課錄音，都像在拾取一份想像，一種屬於她和我們(其實是她的學生 A-Lung Chao 趙志龍)分享的生命體會。
This reminds me of what teacher Yen-Yin Chu said: "(If I remember correctly) exhaling begins with inhaling thoughts, with the ribs and chest cavity continuing to rise, as if fighting against gravity", and "exhale wildly and arbitrarily", which makes people feel so happy, exciting and full of longing. Every time I listen to the class recording, it feels like I am collecting an imagination, a life experience that she shared with us (actually her student A-Lung Chao).
如Widmann在《玻璃琴 Armonica》作品中，特別標示的「延續所有的音(sustain all notes)」。當我們心中存留並持著音樂的意念越細膩寬廣，我們的音樂，越能迴盪飛揚。
As Widmann specifically noted in his work “Armonica”, “sustain all notes”. The more delicate and broad the musical thoughts we retain and hold in our hearts, the more our music will resonate and soar.
https://porschewu0714.blogspot.com/2024/11/jorg-widmanncon-brio407421-i-have-few.html
==
[1] 這便是為何我分享呂紹嘉大師：「音樂先想要走向何方，再回到自己，接著才餘音繞樑」。
This is why I shared Maestro ShaoChia Lü 呂紹嘉's words: "The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers."
https://porschewu0714.blogspot.com/2024/06/music-must-first-go-where-it-wants-to.html
[2] 進一步理解所謂的「蹺蹺板和屏息深呼吸(一口氣緩慢吸到釋放)」的過程，正是Widmann的「辨識調性的內部重力」，這一點，得各位自己用身體、感覺、自體平衡的各種感知，來感受與詮釋，我無法進一步提供協助，我只能做我能做的，分享予彼此。
To further understand the so-called "seesaw and breath-holding and deep breathing (inhale slowly and release in one breath)" process, it is exactly Widmann's "the detection of the inherent gravitation of tonality". This must be felt and interpreted by each person using our own body, feelings, and various perceptions of self-balance. I cannot provide further assistance, I can only do what I can and share with each other.
★★★★★只要跟著做幾次的人，我們肯定能開始想像何謂「超越好聽的切身感受」，因為，不只是你的耳朵在一同聆聽，更還有你的呼吸、意識、想像、脈動、皮膚和血液，更還有你自己(身體外的自己，需要透過意念和蹺蹺板引動的你)。
As long as we follow and do it a few times, we will definitely begin to imagine what “the personal experience that goes beyond the pleasant music” means, because it's not just your ears that are listening, but also your breathing, consciousness, imagination, pulse, skin, blood, and yourselves (the selves outside the body, you who need to be motivated through thoughts and seesaw).
來源 Source: https://www.threads.net/@langlangpiano/post/DHlykL4CxSe
非常之精采啊，親愛的 Lang Lang - 郎朗 ！我聽到好多你音樂中的蹺蹺板(吟唱在我們心中)！除了高低音、旋律和和聲，還有音樂發展的延續，得以讓旋律線徜徉自在。除了你心中的音樂，試著想像在樂音飄揚的其他存在，只要在演奏時，心中的場景還有環境和他人，音樂便能進一步觸及延伸至彼此[1]。
Very wonderful and touching, dear Lang Lang! I hear a lot of Seesaw (Singing in Our Hearts) in your music! In addition to the high and low notes, melody and harmony, there is also a continuation of the musical development, which allows the melodic line to wander freely. In addition to the music in your mind, try to imagine other beings where the music is playing. As long as you keep the scene, environment and others in your mind while playing, the music can further reach and extend to each other[1].
最後，請你仔細聆聽自己演奏的這段音樂，屏息(像停止呼吸)但身體又要想像持續緩慢深呼吸，從很遠引動至腳底，甚至更深。緩慢吸氣的同時，上半身、脖子和頭部，持續地緩慢上揚。持續吸氣到演奏的那個長音結束的大跳才緩緩放鬆與稍微吐氣，你一定要嘗試，並一次次感受你自己[2]！
Finally, please listen carefully to the music you are playing. Hold your breath (as if you are stopping breathing), but imagine that your body is taking slow, deep breaths, starting from far away and moving down to the soles of your feet, or even deeper. While inhaling slowly, continue to slowly raise your upper body, neck and head. Continue to inhale until the big jump at the end of the long note you are playing, then slowly relax and exhale slightly. You must try it and feel yourself again and again [2]!
https://porschewu0714.blogspot.com/2025/03/lang-lang-molto-tenuto-dear-lang-lang.html
郎朗，只要你試著用我分享的內容這樣做幾次，相信連你聽自己的音樂，都能感受到自己的雞皮疙瘩，還有那種舒暢的感動。
Lang Lang, as long as you try to do this a few times with what I shared, I believe that even when you listen to your own music, you will feel your goose bumps and that kind of comfortable feeling.
反覆思考，試驗和印證後，再和我們分享那樣親愛的你喔！
After repeated thinking, experimentation and verification, share your dear self with us!
讓我又不禁想起 Yen-Yin Chu 朱彥穎老師說過的「(如果我沒記錯的話)以吸引動吐氣，肋骨胸腔持續上揚，就像是對抗地心引力」，還有那「恣意狂妄地吐氣」，讓人聽了就好生欣喜，好心嚮往。每一次聆聽上課錄音，都像在拾取一份想像，一種屬於她和我們(其實是她的學生 A-Lung Chao 趙志龍)分享的生命體會。
This reminds me of what teacher Yen-Yin Chu said: "(If I remember correctly) exhaling begins with inhaling thoughts, with the ribs and chest cavity continuing to rise, as if fighting against gravity", and "exhale wildly and arbitrarily", which makes people feel so happy, exciting and full of longing. Every time I listen to the class recording, it feels like I am collecting an imagination, a life experience that she shared with us (actually her student A-Lung Chao).
如Widmann在《玻璃琴 Armonica》作品中，特別標示的「延續所有的音(sustain all notes)」。當我們心中存留並持著音樂的意念越細膩寬廣，我們的音樂，越能迴盪飛揚。
As Widmann specifically noted in his work “Armonica”, “sustain all notes”. The more delicate and broad the musical thoughts we retain and hold in our hearts, the more our music will resonate and soar.
https://porschewu0714.blogspot.com/2024/11/jorg-widmanncon-brio407421-i-have-few.html
==
[1] 這便是為何我分享呂紹嘉大師：「音樂先想要走向何方，再回到自己，接著才餘音繞樑」。
This is why I shared Maestro ShaoChia Lü 呂紹嘉's words: "The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers."
https://porschewu0714.blogspot.com/2024/06/music-must-first-go-where-it-wants-to.html
[2] 進一步理解所謂的「蹺蹺板和屏息深呼吸(一口氣緩慢吸到釋放)」的過程，正是Widmann的「辨識調性的內部重力」，這一點，得各位自己用身體、感覺、自體平衡的各種感知，來感受與詮釋，我無法進一步提供協助，我只能做我能做的，分享予彼此。
To further understand the so-called "seesaw and breath-holding and deep breathing (inhale slowly and release in one breath)" process, it is exactly Widmann's "the detection of the inherent gravitation of tonality". This must be felt and interpreted by each person using our own body, feelings, and various perceptions of self-balance. I cannot provide further assistance, I can only do what I can and share with each other.
★★★★★只要跟著做幾次的人，我們肯定能開始想像何謂「超越好聽的切身感受」，因為，不只是你的耳朵在一同聆聽，更還有你的呼吸、意識、想像、脈動、皮膚和血液，更還有你自己(身體外的自己，需要透過意念和蹺蹺板引動的你)。
As long as we follow and do it a few times, we will definitely begin to imagine what “the personal experience that goes beyond the pleasant music” means, because it's not just your ears that are listening, but also your breathing, consciousness, imagination, pulse, skin, blood, and yourselves (the selves outside the body, you who need to be motivated through thoughts and seesaw).
來源 Source: https://www.threads.net/@langlangpiano/post/DHlykL4CxSe
我的內容有多重要，得用事實來看！這也是為何2024年中開始，陳文茜、彭文正、周玉琴、朱學恒、葛斯齊、溫朗東、林月琴、陳培瑜、葛如鈞、吳音寧、李貴敏、吳春城、羅淑蕾、羅文嘉、張延廷、劉坤鱧、孫振元、陳鴻源、王孝維、沈志霖、吾爾開希、中央健康保險署前署長 李伯璋，產學各界包含佛光大學校長 何卓飛、臺藝大前校長 陳志誠、經濟學家 杜震華、中國惠普前總裁/德州儀器前亞太總裁/富士康集團前副總裁 程天縱、NEXCOM董事長 林茂昌、好事聯播網 副董事長 孫吳也、前中央通訊社董事長 陳國祥、財經時事評論員 黃世聰、資深媒體人 唐湘龍、台北影音節目製作商業同業公會理事長 陳仲祺、遠流出版公司董事長 王榮文、《Heho健康》創辦人兼董事長 張璨、台灣設計研究院 TDRI 副院長 林鑫保、策略思維商學院 院長及專業講師 孫治華、新文化基金會 董事長 林大雄、數位時代總編輯 王志仁、還有許多科學家、教授、音樂家們等人願意立即加入朋友？並非表示什麼，而是為了我們自己可以接收一些重要事實來共進未來、調整自我。這些人的用心與勇氣值得分享。為了台灣和中國的未來，相對位高權重者和媒體們，理應接收這些資訊，包含我分享中國、美國和全世界的內容。未來與認知有關，更可追蹤或加入朋友，接收這些天地最美且實在的聲音與內容，共進未來！【Info】我念資訊管理。畢業後，指揮管樂團至30歲。
I studied in information management in the university. After graduating, I conducted university wind bands until the age of 30.
30歲後，我歷經資訊專員、數位整合行銷、產品副理，歷經了三份工作、三個產業、三種級別，四年間全被炒魷魚。儘管產業從來不一樣，卻總能往上前行。
After that, I experienced Programming Specialist / Marketing Specialist / Product PM, went through 3 jobs, 3 industries, 3 levels, all were fired in 4 years. Although it's never in the same industry, can always be promoted.
還和樂團與國外歌者演出了幾場歌劇。
Also performed several operas with some orchestras and foreign singers.
2021-01-27起，我一直透過日常重新學習，反覆確認與修正自己，同時試著協助解讀天道系統，可簡單理解為《星際大戰》中的「原力(the force)」。
2025年3月22日 星期六
親愛的 Lang Lang - 郎朗 ，上次和你分享：不用擔心長相(眼睛變大→很多人都在轉換，包含你移動到不同國家也會轉成不同樣子喔！)。把你說的內容(意思、概念、想法)以稍微緩一點的質感連結起來，molto tenuto。這也許會讓你感到稍微疑惑，你可把自己的聲音(想法)想像在水中傳達那樣的方式，也就是，講話的聲音(想法)黏著於前後的黏性多一些。 Dear Lang Lang, last time I shared with you: Don’t worry about your appearance (eyes become bigger/loose→ many people are changing, including you will look different when you move to different countries!). Connect what you are saying (meaning, thoughts, idea) with a slightly slower texture, molto tenuto. This may be a little confusing to you, but you can imagine your voice (thoughts) as if you were conveying them in water, that is, the sound (thoughts) of speaking sticks more to the front and back.
【修己揚他/AskSelf】【場域/FIELD】【意念/EN】【時空/SpaceTime】【反轉向上/ReverseUp】【教育/Education】【影視/Film】【音樂/Music】
親愛的 Lang Lang - 郎朗 ，上次和你分享：不用擔心長相(眼睛變大→很多人都在轉換，包含你移動到不同國家也會轉成不同樣子喔！)。把你說的內容(意思、概念、想法)以稍微緩一點的質感連結起來，molto tenuto。這也許會讓你感到稍微疑惑，你可把自己的聲音(想法)想像在水中傳達那樣的方式，也就是，講話的聲音(想法)黏著於前後的黏性多一些。
Dear Lang Lang, last time I shared with you: Don’t worry about your appearance (eyes become bigger/loose→ many people are changing, including you will look different when you move to different countries!). Connect what you are saying (meaning, thoughts, idea) with a slightly slower texture, molto tenuto. This may be a little confusing to you, but you can imagine your voice (thoughts) as if you were conveying them in water, that is, the sound (thoughts) of speaking sticks more to the front and back.
https://www.threads.net/@porschewu/post/DG83zVEs6L9
也有提到：(上次來台演出，我分享你的內容)想像蹺蹺板，試著平衡兩端。接著，想像低音和高音，連結兩端。接著，想像觀眾和音樂廳，連接音樂和另一端。想像自己和彼此，平衡各端。當心中蹺蹺板的連接各端之梁柱越厚實，你的音樂越寬廣。
It was also mentioned: (Last time you performed in Taiwan, I shared your content) Think of a seesaw and try to balance both ends. Next, imagine the bass and the treble, connecting the two ends. Next, imagine the audience and the concert hall, connecting the music to the other side. Having yourself and each other, balancing each of us. The thicker the beams connecting each end of the seesaw, the broader the music will be.
https://porschewu0714.blogspot.com/2024/11/also-email-to-lang-lang-international.html
也有請求：在反覆確認、想像和思考影片蟲鳴怎麼唱出「音符(音樂)的連接」後，你的音樂便會更上一層樓，我敢保證！倘若你能試著跟著唱，更好！
There is also a request: After repeatedly confirming, imagining and thinking about how the insects in the video sing out the "connection of notes (music)", your music will be taken to a higher level, I promise! If you can try to sing along, even better!
如果你從沒想過生命為何，讓我們大家歸零學習，事實勝於雄辯，對嗎？
If you have never thought about what living being, let us all return to zero and learn. Facts speak louder than words, right?
魯冰花 Lupinus by LaLa徐佳瑩 https://www.youtube.com/watch?v=FCb87b1cpAE
==
如果你從沒想過身處的環境為何，讓我們大家歸零學習，事實勝於雄辯，對嗎？
If you have never thought about the environment we are in, let us all return to zero and learn. Facts speak louder than words, right?
2024-05-18_這種事情怎麼有可能？事實如此，又能奈何？更重要的是，這種內涵和質感對於我們和孩子們有何重要的影響呢？風吹拂樹葉的聲響也能唱和：「孤獨比擁抱更真實，愛讓人失去了理智。會不會是我太自私？拒絕更寂寞的日子。放不開也看不見未來，難道這種不完美，才是愛情真實的樣子？」。如何透過我分享的內容修復與強化自己？
How is this possible? If this is the case, what could we doubt? More importantly, what deep impact does this connotation and texture have on us and our children? The singing is also accompanied by the sound of the wind blowing the leaves: "Loneliness is more driven than hugs. Love makes people lose their minds. Would it be that I am too selfish? So I would not like to live a lonelier life. I can't let go and I can't see the future neither. Does this kind of imperfection make what love is really like?". How do we restore and reinforce ourselves through what I share?
https://porschewu0714.blogspot.com/2024/05/how-is-this-possible-if-this-is-case.html
聽聽張惠妹《真實》 3:17 https://youtu.be/gA0TCcCtos8?si=ZRYYdNqb7gtMl6Vb&t=196
==
如果你上次有跟著蟲鳴吟唱《魯冰花》，那麼，我要你再一次以更緩的速度跟著影片唱。如果你能發現，影片的速度可以隨之變慢(或是你能聽見蟲鳴歌唱之中，有一條更慢移動旋轉的旋律線→甚至你總能發現有更緩的可能存在)，那麼就用我的分享訓練你自己的「蹺蹺板平衡桿」。若是你明白我的意思，也許你會發現這樣的嘗試，不只對音樂的空間感有很大的影響，對於長相(眼睛)，也有相關喔！
If you sang "Lupinus" along with the chirping of insects last time, then I want you to sing it again along with the video at a slower speed. If you can find that the speed of the video can be slowed down (or you can hear a slower moving and rotating melody line in the singing of insects → even you can always find the possibility of slower speed), then use this sharing video to try your own "seesaw balance bar". If you understand what I mean, you may find that such an attempt not only has a great impact on the spatial sense of music, but also has a relevant impact on our appearance (eyes)!
https://porschewu0714.blogspot.com/2024/06/one-movie-lucy-can-humans-do-it-what-is.html
★★★★★蹺蹺板便是，看你能緩到什麼程度，同時，還能與自己的意念(想法)牢牢地相連在一起。
The seesaw is about how far you can slow down and at the same time, stay firmly connected with your own EN(thoughts).
★★★★★演出的音樂，會因為自己動心和欣賞的層級不同而產生音場的差異。即便是自己狀態相同(接連演出的曲目)，都會有很大的差異，這是我們現在最好的學習時機。
The music performed will have different sound fields depending on the level of one's feelings and appreciation. Even if we are in the same state (performing musics consecutively), there would be big differences about the sound. This is the best time for us to learn now.
★★★★★最重要的是「實事求是」。也就是認清有哪些事實？事實呈現了哪些面向？有哪些是我們能嘗試的？如何嘗試？嘗試的過程中，造成了哪些差異，甚至有可能稍微不舒服？可能的好、壞影響有哪些？在未來，我們該如何將自己的嘗試與經驗內化，並以自己確認的事實，說自己的話語來分享世界與他人呢？
The most important thing is to "seek truth from facts". In other words, what are the facts? What aspects do the facts reveal? What are some things we can try? How to try it? What differences were caused during the trial, and what might have been a little discomfort? What are the possible good and bad effects? In the future, how can we internalize our own attempts and experiences, and share them with the world and others by speaking our own words based on the facts we have confirmed?
★★★★★全世界的人長相(眼睛)不同，一部分的原因是因為天地正部分透過我的解讀(蹺蹺板意念)，調整各方蹺蹺板平衡桿的相互牽引與作用程度。
People all over the world have different looks (eyes), partly because the heaven and earth are adjusting the mutual pulling and influence of the seesaw balance bars of all parties through my interpretation (seesaw thoughts).
★★★★★如果有人識寶，便會意識到，所有我分享的內容都可增幅自我與天地連結(蹺蹺板)。
If someone know what the precious is, they might be able to realize that everything I share can enhance the connection between oneself and the heaven and earth(seesaw).
但，你得勇敢，你得嘗試，你得心生嚮往。
But you have to be brave, you have to try, and you have to yearn for it.
Also share with Aikuang Sun Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 ShaoChia Lü 呂紹嘉 馬定一 江靖波 閻惠昌 Fusao Kajima 陳樹熙 邱瑗 辛幸純 葉綠娜 錢大同 陳漢金 Pi-Hua Chuang Meng-Hsien Peng Yen-Yin Chu Martin Ng 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 張振文 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Wesley Chia Wei Lin 林清山 YuanPu Chiao Adam Chou 郭靖沐 NSO國家交響樂團 Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 樂興之時管絃樂團 Philharmonia Moments Musicaux 台北愛樂合唱團Taipei Philharmonic Chorus 國立臺灣師範大學音樂學系交響樂團 北藝大音樂學系Department of Music, T.N.U.A. 國立臺灣藝術大學音樂學系 輔仁大學音樂系Fju Music 國立高雄師範大學音樂學系 瑜樂精選
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 陳榮昇 李商宇 宋光清 張景民 Canon Huang 莊清霖 張浩 Chan Wang 杜英麟 黃瑀萌 林祐民 吳松庭 林子祥 胡志瑋 梁婉筠Wan-Yun Liang 林昀宏 Yun-Ting Chen 邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 楊忠衡 鄒昌銘 Martha Argerich Daming Zhu 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 Andy Scott Ayako Takagi Kenta Saito Yoshiko Matsumoto Jin Ta Steven Mead Theodora Pavlovitch Ekaterina Shelehova Enjott Schneider Wu Wei
親愛的 Lang Lang - 郎朗 ，上次和你分享：不用擔心長相(眼睛變大→很多人都在轉換，包含你移動到不同國家也會轉成不同樣子喔！)。把你說的內容(意思、概念、想法)以稍微緩一點的質感連結起來，molto tenuto。這也許會讓你感到稍微疑惑，你可把自己的聲音(想法)想像在水中傳達那樣的方式，也就是，講話的聲音(想法)黏著於前後的黏性多一些。
Dear Lang Lang, last time I shared with you: Don’t worry about your appearance (eyes become bigger/loose→ many people are changing, including you will look different when you move to different countries!). Connect what you are saying (meaning, thoughts, idea) with a slightly slower texture, molto tenuto. This may be a little confusing to you, but you can imagine your voice (thoughts) as if you were conveying them in water, that is, the sound (thoughts) of speaking sticks more to the front and back.
https://www.threads.net/@porschewu/post/DG83zVEs6L9
也有提到：(上次來台演出，我分享你的內容)想像蹺蹺板，試著平衡兩端。接著，想像低音和高音，連結兩端。接著，想像觀眾和音樂廳，連接音樂和另一端。想像自己和彼此，平衡各端。當心中蹺蹺板的連接各端之梁柱越厚實，你的音樂越寬廣。
It was also mentioned: (Last time you performed in Taiwan, I shared your content) Think of a seesaw and try to balance both ends. Next, imagine the bass and the treble, connecting the two ends. Next, imagine the audience and the concert hall, connecting the music to the other side. Having yourself and each other, balancing each of us. The thicker the beams connecting each end of the seesaw, the broader the music will be.
https://porschewu0714.blogspot.com/2024/11/also-email-to-lang-lang-international.html
也有請求：在反覆確認、想像和思考影片蟲鳴怎麼唱出「音符(音樂)的連接」後，你的音樂便會更上一層樓，我敢保證！倘若你能試著跟著唱，更好！
There is also a request: After repeatedly confirming, imagining and thinking about how the insects in the video sing out the "connection of notes (music)", your music will be taken to a higher level, I promise! If you can try to sing along, even better!
如果你從沒想過生命為何，讓我們大家歸零學習，事實勝於雄辯，對嗎？
If you have never thought about what living being, let us all return to zero and learn. Facts speak louder than words, right?
魯冰花 Lupinus by LaLa徐佳瑩 https://www.youtube.com/watch?v=FCb87b1cpAE
==
如果你從沒想過身處的環境為何，讓我們大家歸零學習，事實勝於雄辯，對嗎？
If you have never thought about the environment we are in, let us all return to zero and learn. Facts speak louder than words, right?
2024-05-18_這種事情怎麼有可能？事實如此，又能奈何？更重要的是，這種內涵和質感對於我們和孩子們有何重要的影響呢？風吹拂樹葉的聲響也能唱和：「孤獨比擁抱更真實，愛讓人失去了理智。會不會是我太自私？拒絕更寂寞的日子。放不開也看不見未來，難道這種不完美，才是愛情真實的樣子？」。如何透過我分享的內容修復與強化自己？
How is this possible? If this is the case, what could we doubt? More importantly, what deep impact does this connotation and texture have on us and our children? The singing is also accompanied by the sound of the wind blowing the leaves: "Loneliness is more driven than hugs. Love makes people lose their minds. Would it be that I am too selfish? So I would not like to live a lonelier life. I can't let go and I can't see the future neither. Does this kind of imperfection make what love is really like?". How do we restore and reinforce ourselves through what I share?
https://porschewu0714.blogspot.com/2024/05/how-is-this-possible-if-this-is-case.html
聽聽張惠妹《真實》 3:17 https://youtu.be/gA0TCcCtos8?si=ZRYYdNqb7gtMl6Vb&t=196
==
如果你上次有跟著蟲鳴吟唱《魯冰花》，那麼，我要你再一次以更緩的速度跟著影片唱。如果你能發現，影片的速度可以隨之變慢(或是你能聽見蟲鳴歌唱之中，有一條更慢移動旋轉的旋律線→甚至你總能發現有更緩的可能存在)，那麼就用我的分享訓練你自己的「蹺蹺板平衡桿」。若是你明白我的意思，也許你會發現這樣的嘗試，不只對音樂的空間感有很大的影響，對於長相(眼睛)，也有相關喔！
If you sang "Lupinus" along with the chirping of insects last time, then I want you to sing it again along with the video at a slower speed. If you can find that the speed of the video can be slowed down (or you can hear a slower moving and rotating melody line in the singing of insects → even you can always find the possibility of slower speed), then use this sharing video to try your own "seesaw balance bar". If you understand what I mean, you may find that such an attempt not only has a great impact on the spatial sense of music, but also has a relevant impact on our appearance (eyes)!
https://porschewu0714.blogspot.com/2024/06/one-movie-lucy-can-humans-do-it-what-is.html
★★★★★蹺蹺板便是，看你能緩到什麼程度，同時，還能與自己的意念(想法)牢牢地相連在一起。
The seesaw is about how far you can slow down and at the same time, stay firmly connected with your own EN(thoughts).
★★★★★演出的音樂，會因為自己動心和欣賞的層級不同而產生音場的差異。即便是自己狀態相同(接連演出的曲目)，都會有很大的差異，這是我們現在最好的學習時機。
The music performed will have different sound fields depending on the level of one's feelings and appreciation. Even if we are in the same state (performing musics consecutively), there would be big differences about the sound. This is the best time for us to learn now.
★★★★★最重要的是「實事求是」。也就是認清有哪些事實？事實呈現了哪些面向？有哪些是我們能嘗試的？如何嘗試？嘗試的過程中，造成了哪些差異，甚至有可能稍微不舒服？可能的好、壞影響有哪些？在未來，我們該如何將自己的嘗試與經驗內化，並以自己確認的事實，說自己的話語來分享世界與他人呢？
The most important thing is to "seek truth from facts". In other words, what are the facts? What aspects do the facts reveal? What are some things we can try? How to try it? What differences were caused during the trial, and what might have been a little discomfort? What are the possible good and bad effects? In the future, how can we internalize our own attempts and experiences, and share them with the world and others by speaking our own words based on the facts we have confirmed?
★★★★★全世界的人長相(眼睛)不同，一部分的原因是因為天地正部分透過我的解讀(蹺蹺板意念)，調整各方蹺蹺板平衡桿的相互牽引與作用程度。
People all over the world have different looks (eyes), partly because the heaven and earth are adjusting the mutual pulling and influence of the seesaw balance bars of all parties through my interpretation (seesaw thoughts).
★★★★★如果有人識寶，便會意識到，所有我分享的內容都可增幅自我與天地連結(蹺蹺板)。
If someone know what the precious is, they might be able to realize that everything I share can enhance the connection between oneself and the heaven and earth(seesaw).
但，你得勇敢，你得嘗試，你得心生嚮往。
But you have to be brave, you have to try, and you have to yearn for it.
==
剛好輔仁大學音樂系將我封鎖，有時候臉書小編好像把系所和學生利益當成自己的。我被封鎖是沒關係，但誰又想到學生和後續呢？像呂紹嘉、許瀞心這些大師，誰管你是哪位？寶寶努力呼吸發出聲音表達？蟲鳴鳥叫能歌唱？關我們何事，是這樣嗎？其實，我們就是這樣的人。
It just so happened that the Department of Music at Fu Jen Catholic University blocked me. Sometimes Facebook editors seem to regard the interests of the department and students as their own. It doesn’t matter that I was blocked, but who thought about the students and the follow-up? For masters like Shaochia Lu and Ching-Hsin Hsu, who cares who you are? The baby is trying hard to breathe and make sounds to express himself? The chirping of insects and birds can really sing? None of our business, is it? In fact, that's who we are.
未來，我們會更清楚彼此和自己是怎樣的人。我們(從以前至今)是現在這樣的人嗎？
In the future, we will have a better understanding of who we are, each other and ourselves. Are we who we are now (from the past to the present)?
這對未來很重要，而非說了什麼好聽的話，這是全世界正發生各種現象的主因。
This is important for the future, not just some nice words, but it is the main reason for various phenomena happening around the world.
我是為何一再將這些看似簡單的表達(寶寶呼吸、蟲鳴歌唱)，分享這世界呢？懂得再重頭閱讀和思考的人(懂得聆聽)，必得珍貴，因為我的發言不是為了自己，而是這些珍貴的每一刻。
Why do I continue to share these seemingly simple expressions—a baby’s breathing, an insect’s singing—with the world? Those who know how to read and think again (know how to listen) will feel the preciousness, because my speech is not for myself, but for every precious moment.
★★★★★2025-03-08_【竹北天后宮主委、竹北市民代表會主席林啟賢的寶寶、前主播魏華萱的寶寶】新生寶寶還不會認人，也不會說話，但為何如此努力透過呼吸，表達他的情感「我最喜歡吳時捷哥哥」。蔡詩萍透過為女兒剝蛋的行為，此舉背後真正是以剝蛋聲響來傳達，「真的很謝謝你，(0:11)吳時捷，(0:17)請您繼續散發這樣的自己」，在影片最後還特別說了一句，「這就是愛啊」！
The newborn baby cannot recognize people or speak yet, but why does he/she try so hard to express his emotions through breathing? "I love Wu Shihjie the most." Tsai Shiping uses the action of peeling eggs for her daughter, and the sound behind this action is actually conveying, "Thank you so much, (0:11) Wu Shihjie, (0:17) please keep sharing such your selves." At the end of the video, he also said a special sentence, "This is love!"
1. 竹北天后宮主委、竹北市民代表會主席林啟賢的寶寶
2. 前主播魏華萱的寶寶
Also share with Aikuang Sun Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 ShaoChia Lü 呂紹嘉 馬定一 江靖波 閻惠昌 Fusao Kajima 陳樹熙 邱瑗 辛幸純 葉綠娜 錢大同 陳漢金 Pi-Hua Chuang Meng-Hsien Peng Yen-Yin Chu Martin Ng 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 張振文 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Wesley Chia Wei Lin 林清山 YuanPu Chiao Adam Chou 郭靖沐 NSO國家交響樂團 Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 樂興之時管絃樂團 Philharmonia Moments Musicaux 台北愛樂合唱團Taipei Philharmonic Chorus 國立臺灣師範大學音樂學系交響樂團 北藝大音樂學系Department of Music, T.N.U.A. 國立臺灣藝術大學音樂學系 輔仁大學音樂系Fju Music 國立高雄師範大學音樂學系 瑜樂精選
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 陳榮昇 李商宇 宋光清 張景民 Canon Huang 莊清霖 張浩 Chan Wang 杜英麟 黃瑀萌 林祐民 吳松庭 林子祥 胡志瑋 梁婉筠Wan-Yun Liang 林昀宏 Yun-Ting Chen 邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 楊忠衡 鄒昌銘 Martha Argerich Daming Zhu 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 Andy Scott Ayako Takagi Kenta Saito Yoshiko Matsumoto Jin Ta Steven Mead Theodora Pavlovitch Ekaterina Shelehova Enjott Schneider Wu Wei
我的內容有多重要，得用事實來看！這也是為何2024年中開始，陳文茜、彭文正、周玉琴、朱學恒、葛斯齊、溫朗東、林月琴、陳培瑜、葛如鈞、吳音寧、李貴敏、吳春城、羅淑蕾、羅文嘉、張延廷、劉坤鱧、孫振元、陳鴻源、王孝維、沈志霖、吾爾開希、中央健康保險署前署長 李伯璋，產學各界包含佛光大學校長 何卓飛、臺藝大前校長 陳志誠、經濟學家 杜震華、中國惠普前總裁/德州儀器前亞太總裁/富士康集團前副總裁 程天縱、NEXCOM董事長 林茂昌、好事聯播網 副董事長 孫吳也、前中央通訊社董事長 陳國祥、財經時事評論員 黃世聰、資深媒體人 唐湘龍、台北影音節目製作商業同業公會理事長 陳仲祺、遠流出版公司董事長 王榮文、《Heho健康》創辦人兼董事長 張璨、台灣設計研究院 TDRI 副院長 林鑫保、策略思維商學院 院長及專業講師 孫治華、新文化基金會 董事長 林大雄、數位時代總編輯 王志仁、還有許多科學家、教授、音樂家們等人願意立即加入朋友？並非表示什麼，而是為了我們自己可以接收一些重要事實來共進未來、調整自我。這些人的用心與勇氣值得分享。為了台灣和中國的未來，相對位高權重者和媒體們，理應接收這些資訊，包含我分享中國、美國和全世界的內容。未來與認知有關，更可追蹤或加入朋友，接收這些天地最美且實在的聲音與內容，共進未來！【Info】我念資訊管理。畢業後，指揮管樂團至30歲。
I studied in information management in the university. After graduating, I conducted university wind bands until the age of 30.
30歲後，我歷經資訊專員、數位整合行銷、產品副理，歷經了三份工作、三個產業、三種級別，四年間全被炒魷魚。儘管產業從來不一樣，卻總能往上前行。
After that, I experienced Programming Specialist / Marketing Specialist / Product PM, went through 3 jobs, 3 industries, 3 levels, all were fired in 4 years. Although it's never in the same industry, can always be promoted.
還和樂團與國外歌者演出了幾場歌劇。
Also performed several operas with some orchestras and foreign singers.
2021-01-27起，我一直透過日常重新學習，反覆確認與修正自己，同時試著協助解讀天道系統，可簡單理解為《星際大戰》中的「原力(the force)」。
2025年2月6日 星期四
【快慢速確認，我認真地提醒】2021年來自NSO指揮呂紹嘉大師努力透過呼吸來致意：「(仔細聽換氣音)吳時捷，(0:16)我是呂紹嘉，(0:33)真的很抱歉，(0:42)請您繼續散發這樣的自己」。我亦在2024-06-04分享未來音樂的重要內涵給您，孰知你礙於自己大師的面子，即便自知指揮北藝大交響樂團與馬定一教授的曲目不甚用心(抱歉，我認為他是故意的或無法展現，也許因為曲目意念很好)，仍怕他人應聲表達同意。如今的這部紀錄片，也許是一帖良方，而我分享的內容為何重要，則取決於你是否有用心感受。 [Play it at different speeds to confirm, I am reminding it seriously] In 2021, NSO conductor Maestro Lu Shaochia tried to greet through his breathing: "(Listen carefully to the breathing sound) Wu Shihjie, (0:16) I am Lu Shaochia, (0:33) I am really sorry, (0:42) please keep sharing such your selves." I also shared with you the important connotation of future music on 2024-06-04. Who knew that you would be obsessed with your MAESTRO? Even though you knew that you were not very attentive in conducting the Taipei University of the Arts Symphony Orchestra and Professor Ma Dingyi's repertoire (Sorry, I think he did it on purpose or couldn't show it, maybe because the thought of the music is so good), you were still afraid that others would respond and express their agreement. Today's video might be a good remedy, and why what I share is important depends on whether you feel it with your heart.
【修己揚他/AskSelf】【意念/EN】【場域/FIELD】【時空/SpaceTime】【反轉向上/ReverseUp】【教育/Education】【影視/Film】【音樂/Music】
【快慢速確認，我認真地提醒】2021年來自NSO指揮呂紹嘉大師努力透過呼吸來致意：「(仔細聽換氣音)吳時捷，(0:16)我是呂紹嘉，(0:33)真的很抱歉，(0:42)請您繼續散發這樣的自己」。我亦在2024-06-04分享未來音樂的重要內涵給您，孰知你礙於自己大師的面子，即便自知指揮北藝大交響樂團與馬定一教授的曲目不甚用心(抱歉，我認為他是故意的或無法展現，也許因為曲目意念很好)，仍怕他人應聲表達同意。如今的這部紀錄片，也許是一帖良方，而我分享的內容為何重要，則取決於你是否有用心感受。
【快慢速確認，我認真地提醒】2021年來自NSO指揮呂紹嘉大師努力透過呼吸來致意：「(仔細聽換氣音)吳時捷，(0:16)我是呂紹嘉，(0:33)真的很抱歉，(0:42)請您繼續散發這樣的自己」。我亦在2024-06-04分享未來音樂的重要內涵給您，孰知你礙於自己大師的面子，即便自知指揮北藝大交響樂團與馬定一教授的曲目不甚用心(抱歉，我認為他是故意的或無法展現，也許因為曲目意念很好)，仍怕他人應聲表達同意。如今的這部紀錄片，也許是一帖良方，而我分享的內容為何重要，則取決於你是否有用心感受。
[Play it at different speeds to confirm, I am reminding it seriously] In 2021, NSO conductor Maestro Lu Shaochia tried to greet through his breathing: "(Listen carefully to the breathing sound) Wu Shihjie, (0:16) I am Lu Shaochia, (0:33) I am really sorry, (0:42) please keep sharing such your selves." I also shared with you the important connotation of future music on 2024-06-04. Who knew that you would be obsessed with your MAESTRO? Even though you knew that you were not very attentive in conducting the Taipei University of the Arts Symphony Orchestra and Professor Ma Dingyi's repertoire (Sorry, I think he did it on purpose or couldn't show it, maybe because the thought of the music is so good), you were still afraid that others would respond and express their agreement. Today's video might be a good remedy, and why what I share is important depends on whether you feel it with your heart.
1.5x speed
發音 Pronounce: https://translate.google.com/?sl=zh-TW&tl=en&text=%E5%90%B3%E6%99%82%E6%8D%B7%EF%BC%8C%E6%88%91%E6%98%AF%E5%91%82%E7%B4%B9%E5%98%89%EF%BC%8C%E7%9C%9F%E7%9A%84%E5%BE%88%E6%8A%B1%E6%AD%89%EF%BC%8C%E8%AB%8B%E6%82%A8%E7%B9%BC%E7%BA%8C%E6%95%A3%E7%99%BC%E9%80%99%E6%A8%A3%E7%9A%84%E8%87%AA%E5%B7%B1
Source: NSO@Facebook 《樂無界–疫情中的旋律 呂紹嘉指揮大師班》紀錄片線上看！
《樂無界–疫情中的旋律 呂紹嘉指揮大師班》紀錄片播映資訊
🟡第二部曲 https://youtu.be/ziey518WgOQ 25:23開始
有用心聆聽NYSO的朋友可能清楚，下半場的柴四演得很精彩，尤其是弦樂！但音場相較上半場，變得相對毛躁很多(共鳴變很乾，不只是弓的力量變大，是整個樂團的聲音都改變)。以後，您指揮樂團，要仔細聆聽曲目的音場變化、擺盪變化(音樂引導聽眾左擺和右擺？如何下沉與上揚？)等等。環境會一再呈現，也是音樂家與聽者的共同學習課題。指得就是樂團音響的改變。
Friends who have listened carefully to the NYSO may know that the second half of Tchaikovsky's Symphony No.4 was performed very well, especially the strings! But the sound field became relatively rough compared to the first half (the resonance became very dry, not only the weight of the bow became stronger, but the sound of the entire orchestra changed). In the future, when you conduct any orchestra, you should listen carefully to the changes in the sound field and oscillation of the music (does the music guide the audience to oscillate left and right? How does it sink and rise?), etc. The environment would appear again and again, and it is also a common learning topic for musicians and listeners. It refers to the change in the orchestra's sound.
您帶領樂團演奏幻想交響曲和柴四時，都是BASS極盡大聲來製造場面。所以，音樂有點失焦，我相信會有不少音樂家同意的！音樂演奏起來還是很棒，但我們也可以知道你在這邊沒有協助樂團有更好的表現！
When you led the orchestra to play Symphonie Fantastique and Tchaikovsky Symphony No. 4, the bass was played as loud as possible to create a feeling. Therefore, the music is a bit out of focus, and I’m sure many musicians would agree! The music still plays great, but we can also tell that you didn't help the orchestra perform better in these passages!
您帶領樂團演奏幻想交響曲和柴四時，都是BASS極盡大聲來製造場面。所以，音樂有點失焦，我相信會有不少音樂家同意的！音樂演奏起來還是很棒，但我們也可以知道你在這邊沒有協助樂團有更好的表現！
When you led the orchestra to play Symphonie Fantastique and Tchaikovsky Symphony No. 4, the bass was played as loud as possible to create a feeling. Therefore, the music is a bit out of focus, and I’m sure many musicians would agree! The music still plays great, but we can also tell that you didn't help the orchestra perform better in these passages!
聲音如蹺蹺板中間中介的嫁接與交疊，我們心中若有持續想到何去何從與如何銜接，音樂自會相應(相位不同，方向不同)。
Sound is like the grafting and overlapping of the middle of a seesaw. If we keep thinking about where to go and how to connect, the music will respond (different phases, different directions).
你會在2021年疫情剛開始時，想盡辦法透過呼吸致意，因為那個層面的你更理解些什麼，而封鎖我的你，是更看清了我，或您自己呢？是嗎？
When the epidemic started in 2021, you tried your best to greet with me through breathing, because you at that level understood things different. And such you who blocked me, did you see me or yourself more clearly, right?
以下內容，對於理解時空、環境、意念、音場和未來，皆有助益。
The following content is helpful for understanding space-time, environment, EN (thoughts), sound field and the future.
一、2024-11-09_【為人父母、科學家、宗教界必看】魏華萱的寶寶真厲害，即使他如此年幼，卻這樣努力透過呼吸和世界分享「我最喜歡吳時捷哥哥，(0:21)我會加油...我會加油...」。
[A must-read for parents, scientists, and religious people] This little baby is so amazing. Even though he is still so young, he works so hard to share "I like Wu Shihjie the most, (0:21) I have to work hard...I have to work hard..." through breathing with the world.
二、2025-01-22_有人1/21家裡被震垮了，她還用呼吸聲，清楚地傳達感謝之意「真的很謝謝您，吳時捷」。這些感激呼吸聲不只源於她自己，更來自她出生的這個地方和親友！
Someone's house was destroyed by the earthquake on January 21, and she used her breathing to clearly express her gratitude, "Thank you so much, Wu Shihjie". These breaths of gratitude come not only from herself, but also from the place where she was born and her relatives and friends!
三、2024-06-04_(Share to 呂紹嘉) 「音樂先想要走向何方，再回到自己，接著才餘音繞樑」。您可在未來印證此思維，對音樂一定更具貢獻，對台上音樂家也更具意義。我們的存在，是將心中珍視與動心的音樂和想法，分享給演出的團員和台下的聽眾，方不愧自己與天地。
"The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers." You can prove such thinking in the future, and it would definitely contribute more to music and be more meaningful to the musicians on stage. Our existence is to share the music and thoughts that we treasure and touch in our hearts with performers and the audience, so that we can be worthy of our selves and the heaven and the earth.
https://porschewu0714.blogspot.com/2024/06/music-must-first-go-where-it-wants-to.html
https://porschewu0714.blogspot.com/2024/06/music-must-first-go-where-it-wants-to.html
四、以下這段分享朗朗的內容，對於實驗或進一步理解音場是絕佳的想像示範。
The following sharing of Lang Lang's content is an excellent imagination demonstration for experimenting or further understanding of the sound field.
The following sharing of Lang Lang's content is an excellent imagination demonstration for experimenting or further understanding of the sound field.
想像蹺蹺板，試著平衡兩端。接著，想像低音和高音，連結兩端。接著，想像觀眾和音樂廳，連接音樂和另一端。想像自己和彼此，平衡各端。Think of a seesaw and try to balance both ends. Next, imagine the bass and the treble, connecting the two ends. Next, imagine the audience and the concert hall, connecting the music to the other side. Having yourself and each other, balancing each of us.一旦你嘗試幾次後，我相信會發現當心中蹺蹺板的連接各端之梁柱越厚實，你的音樂越寬廣。Once you try it a few times, I believe you will find that the thicker the beams connecting each end of the seesaw, the broader the music will be.
五、2024-12-04_來自整個音樂廳和Widmann的致謝：「真的很謝謝您，吳時捷」。最後一首Mozart如魚得水，好聽到聽眾都無法自拔了！但，我們卻從畫面上看到， NSO國家交響樂團 團員竟然好多臉色凝重？這樣熱烈的掌聲，表情卻笑不出來？可能是怎樣的心情(也可能是誰的感覺?)在身上作祟和影響(牽引)呢？
Applause of thanks came from the entire concert hall and from Widmann: "Really thank you, Wu Shihjie." The last song, Mozart, was like a fish in water, and the audience couldn't help but listen! However, we all see from the video that many NSO musicians have serious faces? There was such warm applause, but there was no smile on the face? What kind of mood (it also might be whose feeling?) may be causing turbulence and influencing (pulling) these poeple?
★★★★★2024-08-08_各位認為，這是偶然、力量操控、AI或電磁象限運行，還是什麼呢？我只是沒特別強調，我們對一些事的感覺已經開始不由自主地調整了。無法平衡時，神情和情緒終將呈現，這便是所謂「對自己負責便可以」。若這幾年(2021年後)自己或他人遭遇意外或疾病，第一個想法最好是「是不是我們自己刻意忽視什麼所牽引造成的？」，我的提醒必然有助。
This is a coincidence, controlled by any power, AI or electromagnetic operation, or what? I just didn’t emphasize it in particular. Our feelings about some things have begun to adjust involuntarily. When there is no balance, expressions and emotions will eventually appear and be revealed. This is the so-called "we will be responsible for ourselves." If we or others encounter an accident or illness in the past few years (after 2021), the best first thought is "Might it be caused by something that we deliberately ignored?" My words would definitely help.
天地在發言，我能透過事實協助世界理解。連嬰兒都想透過呼吸跟我說話。
Heaven and earth speak, and I can help the world understand through facts. Even a baby want to talk to me through breathing.
Welcome to follow my Facebook：吳時捷(Porsche Wu)
我的內容有多重要，得用事實來看！這也是為何2024年中開始，陳文茜、彭文正、周玉琴、朱學恒、葛斯齊、溫朗東、林月琴、陳培瑜、葛如鈞、吳音寧、李貴敏、吳春城、羅淑蕾、羅文嘉、張延廷、劉坤鱧、孫振元、陳鴻源、王孝維、沈志霖、吾爾開希、中央健康保險署前署長 李伯璋，產學各界包含佛光大學校長 何卓飛、臺藝大前校長 陳志誠、經濟學家 杜震華、中國惠普前總裁/德州儀器前亞太總裁/富士康集團前副總裁 程天縱、NEXCOM董事長 林茂昌、好事聯播網 副董事長 孫吳也、前中央通訊社董事長 陳國祥、財經時事評論員 黃世聰、資深媒體人 唐湘龍、台北影音節目製作商業同業公會理事長 陳仲祺、遠流出版公司董事長 王榮文、《Heho健康》創辦人兼董事長 張璨、台灣設計研究院 TDRI 副院長 林鑫保、策略思維商學院 院長及專業講師 孫治華、新文化基金會 董事長 林大雄、數位時代總編輯 王志仁、還有許多科學家、教授、音樂家們等人願意立即加入朋友？並非表示什麼，而是為了我們自己可以接收一些重要事實來共進未來、調整自我。這些人的用心與勇氣值得分享。為了台灣和中國的未來，相對位高權重者和媒體們，理應接收這些資訊，包含我分享中國、美國和全世界的內容。未來與認知有關，更可追蹤或加入朋友，接收這些天地最美且實在的聲音與內容，共進未來！【Info】我念資訊管理。畢業後，指揮管樂團至30歲。
I studied in information management in the university. After graduating, I conducted university wind bands until the age of 30.
30歲後，我歷經資訊專員、數位整合行銷、產品副理，歷經了三份工作、三個產業、三種級別，四年間全被炒魷魚。儘管產業從來不一樣，卻總能往上前行。
After that, I experienced Programming Specialist / Marketing Specialist / Product PM, went through 3 jobs, 3 industries, 3 levels, all were fired in 4 years. Although it's never in the same industry, can always be promoted.
還和樂團與國外歌者演出了幾場歌劇。
Also performed several operas with some orchestras and foreign singers.
2021-01-27起，我一直透過日常重新學習，反覆確認與修正自己，同時試著協助解讀天道系統，可簡單理解為《星際大戰》中的「原力(the force)」。
2024年12月6日 星期五
(Share with 瑜樂精選)您還真是先知，「如果需要宇宙級提點，這場音樂會應該可以像神明凌空拍頭或是給你一巴掌，靈光乍現」。其實，我們也應注意到呂紹嘉大師的面容。 不同於平常，對嗎？ You are truly a prophet: "If you need a cosmic reminder, this concert should be like a volley of gods patting you on the head or giving you a slap in the face." In fact, we should also notice that Master ShaoChia Lü’s face is different from usual, right?
【修己揚他/AskSelf】【意念/EN】【場域/FIELD】【時空/SpaceTime】【反轉向上/ReverseUp】【教育/Education】【音樂/Music】
瑜樂精選 您還真是先知，「如果需要宇宙級提點，這場音樂會應該可以像神明凌空拍頭或是給你一巴掌，靈光乍現」。其實，我們也應注意到 ShaoChia Lü 呂紹嘉 大師的面容。 北藝大音樂學系Department of Music, T.N.U.A. 北藝大音樂學院 不同於平常，對嗎？這才是重點！只要這麼一提醒，每個人都看得出來差異！原因為何？有太多事情要思考，才能知道為什麼在其他大師面前，長相會不同，對嗎？我相信， NSO國家交響樂團 的音樂家們都快可以聽見環境的聲音，甚至開始察覺重要了，您呢？還是，我們能為台灣和NSO更加油呢？面容的改變，原因可能是不同的樣貌，來自於兩個不小差異的意念！所以，環境和意念，讓他自己呈現了不同的質感。
You are truly a prophet: "If you need a cosmic reminder, this concert should be like a volley of gods patting you on the head or giving you a slap in the face." In fact, we should also notice that Master ShaoChia Lü’s face is different from usual, right? This is the point! With just this reminder, everyone can see the difference! Why? There are so many things to think about to know why master Lu look different in front of the other master, right? I believe that the musicians of NSO can almost hear the sounds of the environment, and even begin to realize that it is important. What about you? Or, can we do more for Taiwan and NSO? The reason for the change in your looking might be that the different appearance comes from two quite different EN (thoughts)! Therefore, the environment and EN gave you different textures.
https://www.facebook.com/bigichao/posts/pfbid0RY3TmJTLUmVt1SZmHABD8tYZZAkNanGa7e6hQyMzHt6pegaeQeUA3L6TKcjs143Ll
我們熟知NSO的呂紹嘉大師是這樣的質感。
We are familiar with this texture of NSO’s master ShaoChia Lü.
請看看11/10北藝大演出時的照片，站姿和狀態(氣質)都判若兩人，指揮水準和音樂當然有不小差異。這也是為何我6/4會發文分享。
Please take a look at the photos of the performance on 11/10. The posture and state are quite different. Of course there is a big difference in the conductor's level and the music. This is why I shared a post on 6/4.
https://www.facebook.com/tnuamusic/posts/pfbid0Q2EmzMeY4vvfyyhtT4fpxREEzWBQbbua3uAEUFcFxz6TCuqWHJoSXvcEYkyoeMHul
2024-06-04_(Share to 呂紹嘉) 「音樂先想要走向何方，再回到自己，接著才餘音繞樑」。您可在未來印證此思維，對音樂一定更具貢獻，對台上音樂家也更具意義。我們的存在，是將心中珍視與動心的音樂和想法，分享給演出的團員和台下的聽眾，方不愧自己與天地。
"The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers." You can prove such thinking in the future, and it would definitely contribute more to music and be more meaningful to the musicians on stage. Our existence is to share the music and thoughts that we treasure and touch in our hearts with performers and the audience, so that we can be worthy of our selves and the heaven and the earth.
https://porschewu0714.blogspot.com/2024/06/music-must-first-go-where-it-wants-to.html
(我當時就是這樣寫下這些紀錄。)
(This is how I wrote these words at the time.)
Do you know what Professor APO Hsu looks like in August this year? Even though she quickly blocked me after seeing the above article. When I sent emails to music professors at various universities, she quickly restricted her profile to non-friends. What was your purpose in the first place? If you deliberately ignore these sincere content, you will still suffer the consequences. What’s important is that through my eyes and EN(consciousness), other people around the world, whether they’re musicians or your family and friends, might be able to realize what you might be like.
越來越多古往今來的存在，都凝煉在我和環境(包含你們)的意念之中，而感而生。
在11/29回復江靖波老師的內容中，也表達對您的關心。若你們急於封鎖，那抱歉了。除了各位自己有能力反思、環境讓各位稍微好些(也可能更散行)、周遭的親朋好友相助，那也沒啥方法，因為你們自己選擇不要接收這些「至少是古往今來，目前最真實且具修復力的內容」！ In my reply to Paul Jiang, I also expressed my concern for you. It's just really SORRY if you are in YOUR HURRY to BLOCK ME. Except for your own ability to reflect, the environment to make you a little better (maybe more scattered), and for the help of relatives and friends around you, there is no other way NOW, because you yourself choose not to accept these "At least throughout the ages, currently the most sincere and restorable powerful content"!
那就勇敢去闖蕩，光榮地問傷吧！
瑜樂精選 您還真是先知，「如果需要宇宙級提點，這場音樂會應該可以像神明凌空拍頭或是給你一巴掌，靈光乍現」。其實，我們也應注意到 ShaoChia Lü 呂紹嘉 大師的面容。 北藝大音樂學系Department of Music, T.N.U.A. 北藝大音樂學院 不同於平常，對嗎？這才是重點！只要這麼一提醒，每個人都看得出來差異！原因為何？有太多事情要思考，才能知道為什麼在其他大師面前，長相會不同，對嗎？我相信， NSO國家交響樂團 的音樂家們都快可以聽見環境的聲音，甚至開始察覺重要了，您呢？還是，我們能為台灣和NSO更加油呢？面容的改變，原因可能是不同的樣貌，來自於兩個不小差異的意念！所以，環境和意念，讓他自己呈現了不同的質感。
You are truly a prophet: "If you need a cosmic reminder, this concert should be like a volley of gods patting you on the head or giving you a slap in the face." In fact, we should also notice that Master ShaoChia Lü’s face is different from usual, right? This is the point! With just this reminder, everyone can see the difference! Why? There are so many things to think about to know why master Lu look different in front of the other master, right? I believe that the musicians of NSO can almost hear the sounds of the environment, and even begin to realize that it is important. What about you? Or, can we do more for Taiwan and NSO? The reason for the change in your looking might be that the different appearance comes from two quite different EN (thoughts)! Therefore, the environment and EN gave you different textures.
我們熟知NSO的呂紹嘉大師是這樣的質感。
We are familiar with this texture of NSO’s master ShaoChia Lü.
Please take a look at the photos of the performance on 11/10. The posture and state are quite different. Of course there is a big difference in the conductor's level and the music. This is why I shared a post on 6/4.
2024-06-04_(Share to 呂紹嘉) 「音樂先想要走向何方，再回到自己，接著才餘音繞樑」。您可在未來印證此思維，對音樂一定更具貢獻，對台上音樂家也更具意義。我們的存在，是將心中珍視與動心的音樂和想法，分享給演出的團員和台下的聽眾，方不愧自己與天地。
"The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers." You can prove such thinking in the future, and it would definitely contribute more to music and be more meaningful to the musicians on stage. Our existence is to share the music and thoughts that we treasure and touch in our hearts with performers and the audience, so that we can be worthy of our selves and the heaven and the earth.
https://porschewu0714.blogspot.com/2024/06/music-must-first-go-where-it-wants-to.html
(我當時就是這樣寫下這些紀錄。)
(This is how I wrote these words at the time.)
★很多人長相聲音變得和從前大不同(衰跌)，台下渙散，未來會更誇張。★★★★★各位可知許瀞心教授今年八月的樣貌嗎？即使她在看到上面這篇文章後，迅速封鎖我。當我寄信給各大學音樂系教授時，她迅速地將自己的交友檔案限制好友才能閱讀，當初為的是什麼呢？刻意忽視這些用心，吃虧的還是自己。重要的是，透過我的雙眼和意識，全世界的其他人(無論是音樂家，或您們的親友們)的可能形，會意識到各位可能是怎樣的人。
Many people's appearance and speaking voice have begun to become very different from before (decline), they seem looser off stage, and they would be even more exaggerated in the future.
★希望各位知道世界正如何運行而已，對自己負責便可以。
Just hope you know how the world is running and just be responsible for yourself.
讓我們看看許瀞心的模樣，在未來會更讓人感到震驚，好好欣賞！
Let's take a look at Hsu Ching-Hsin's appearance. It would be even more shocking in the future, so enjoy it!
仔細看，其實是不同人，從眼睛便看得出來，各位自己日後應該多留意別人的眼神！
Look carefully, we could actually tell from the eyes that different people are different. Everyone should pay more attention to the eyes of others in the future!
這可不是化妝效果，而是濫用他人的欣賞和意念而為之，包含來自於學生們、同儕們、孩子們。各位越用心觀察，越可以看到差異！
This is not a cosmetic effect, but a misuse of other people's appreciation and ENs (thoughts), including students, peers, and children. The more we observe carefully, the more we can see the difference!Source 2024-05-14Source 2024-05-23
有些人透過過往取得的意念，在舞台上顯露傑出，平常卻是無光。
Some people appear outstanding on the stage through previously obtained ENs (thoughts), but they are lackluster in the daily life.
Do you know what Professor APO Hsu looks like in August this year? Even though she quickly blocked me after seeing the above article. When I sent emails to music professors at various universities, she quickly restricted her profile to non-friends. What was your purpose in the first place? If you deliberately ignore these sincere content, you will still suffer the consequences. What’s important is that through my eyes and EN(consciousness), other people around the world, whether they’re musicians or your family and friends, might be able to realize what you might be like.
越來越多古往今來的存在，都凝煉在我和環境(包含你們)的意念之中，而感而生。
More and more existences from the past and present are converged into the EN (thoughts) of me and the environment (including all of you), and are born from feeling.
在11/29回復江靖波老師的內容中，也表達對您的關心。若你們急於封鎖，那抱歉了。除了各位自己有能力反思、環境讓各位稍微好些(也可能更散行)、周遭的親朋好友相助，那也沒啥方法，因為你們自己選擇不要接收這些「至少是古往今來，目前最真實且具修復力的內容」！ In my reply to Paul Jiang, I also expressed my concern for you. It's just really SORRY if you are in YOUR HURRY to BLOCK ME. Except for your own ability to reflect, the environment to make you a little better (maybe more scattered), and for the help of relatives and friends around you, there is no other way NOW, because you yourself choose not to accept these "At least throughout the ages, currently the most sincere and restorable powerful content"!
那就勇敢去闖蕩，光榮地問傷吧！
Then go ahead bravely and ask for your wounds honorably!
(Only facebook friends can read) https://www.facebook.com/paul.cp.chiang/posts/pfbid0RmUZrEHcfo5n4qBCmkdL8MaKJXVzkgVyZs8dL7omNifwj61quM2QNAhdvDHh2cLYl
我其實分享過很多遍，正如同這段內容一樣，我是什麼想法，我自己很清楚。
==
我自己覺得這樣不太好，原因是容易丟失自己，情緒可能易有波動(對不同時間的自己而言，另一個自己反而會變外力影響)。甚至在急緩之間，容易心裡感到有點「躁鬱」、在意他人眼光，或自己的感覺(需較良好感覺來支持自己)。
I personally feel that this is not good. The reason is that it is easy to lose yourself, and the mood may fluctuate easily (for the self at different times, the other self might become an external force). Even between urgency and relief, it is easy to feel a little "manic and depressed" in the heart, caring about other people's opinions, or your own feelings (because you need a better feeling to support your selves).
所有人或多或少都有一些這樣的狀況，請多觀察自己。我和天地現在在做的事，協助在思考的人，找到自己，顯露真實的自己。哪怕要褪去層層外衣(有可能是一部分後來的自己)。
Everyone has this situation to some extent, so please observe yourself more. What the heaven and earth and I are doing now is to share with people who are thinking, to find themselves and reveal their true selves. Even if you have to take off layers of outer clothing (maybe part of your later selves).
但我相信日久見人心，我們也可欣賞...
But I believe that we will see as time goes by, we can also appreciate...
江靖波 老師的帥氣 brilliant
https://www.facebook.com/photo/?fbid=10161547508983617&set=pcb.10161547509948617
Aikuang Sun 老師的美麗 elegant
https://www.facebook.com/aikuang.sun/videos/1297592354988662/
宋光清 老師的女兒越來越可愛 lovely
https://www.facebook.com/photo?fbid=10161167504436491&set=pcb.10161167509496491
這些事情，有舉足輕重的意義！所以，新生命和大自然都回應這樣的思維。我透過事實來分享，但您們看到的是「口無遮攔」還是「事事用心」，則不是我考量的範圍。
These things are of great significance! Therefore, new life and nature respond to this kind of thinking. I share facts, but whether what you see is "casual abuse" or "be sincere in everything" is not the scope of my consideration.
★【為人父母、科學家、宗教界必看】前主播 魏華萱 的寶寶真厲害，即使他如此年幼，卻這樣努力透過呼吸和世界分享「我最喜歡吳時捷哥哥，(0:21)我會加油...我會加油...」。
[A must-read for parents, scientists, and religious people] This little baby is so amazing. Even though he is still so young, he works so hard to share "I like Wu Shihjie the most, (0:21) I have to work hard...I have to work hard..." through breathing with the world.
https://porschewu0714.blogspot.com/2024/11/021-this-little-baby-is-so-amazing-even.html
★★★★★我相信，我的內容正好符合「像神明凌空拍頭或是給你一巴掌，靈光乍現」。
I believe that my content is exactly the same as "like a volley of gods patting you on the head or giving you a slap in the face."
2024-11-30_來自整個音樂廳和Widmann的致謝：「真的很謝謝您，吳時捷」。最後一首Mozart如魚得水，好聽到聽眾都無法自拔了！但，我們卻從畫面上看到， NSO國家交響樂團 團員竟然好多臉色凝重？這樣熱烈的掌聲，表情卻笑不出來？可能是怎樣的心情(也可能是誰的感覺?)在身上作祟和影響(牽引)呢？
Applause of thanks came from the entire concert hall and from Widmann: "Really thank you, Wu Shihjie." The last song, Mozart, was like a fish in water, and the audience couldn't help but listen! However, we all see from the video that many NSO musicians have serious faces? There was such warm applause, but there was no smile on the face? What kind of mood (it also might be whose feeling?) may be causing turbulence and influencing (pulling) these poeple?
https://porschewu0714.blogspot.com/2024/12/1130-jorg-widmannnsochrista.html
★★★★★如論如何，我們都應該實事求是，據實以報(謹呈自己)。
No matter what, we should seek truth from facts and convey the situation according to the truth (to your selves sincerely and prudently).
一、越來越清楚的犬語想傳達世界，「我最喜歡吳時捷哥哥」，世界是否有跟上腳步呢？我只是沒多說明，新生命有很多意念源自天地。
The increasingly clear dog language wants to convey to the world, "I love Wu Shihjie the most." Has the world kept up? I just didn’t explain much, but many of the EN (thoughts) for growth in new life originate from heaven and earth.
https://www.facebook.com/watch/?v=1292974145166830
二、2024-06-07_狗兒懂得透過通話(電磁意念)時傳達：「我們要努力找到自己」。不明白的人只是覺得好笑，根本不關心這世界在做什麼。尤其是那些打著科學和宗教之名來成就自己話語權的人，哪裡能明白生命的可貴，因為自己活得太表面。
Dogs know how to communicate through calls (electromagnetic thoughts): "We have to work hard to find our selves." People who don’t understand just feel it funny and don’t care about what the world is going. Especially those who take advantage of the name of science and religion to achieve their position to speak, how could they understand the value of life (living beings), because they live too superficially.
https://porschewu0714.blogspot.com/2024/06/dogs-know-how-to-communicate-through.html
★天地在發言，我能透過事實協助世界理解。連嬰兒都想透過呼吸跟我說話。
Heaven and earth speak, and I can help the world understand these through facts. Even the baby wants to talk to me through its breath.
天地萬物第一步為「找到自己」。
The first thing for all living beings is to "find yourself".
https://www.facebook.com/watch/?v=979586597301036
歡迎追蹤Facebook，以接收世界最真實的聲音。
Welcome to follow my Facebook to receive the most real voices in the world.
https://www.facebook.com/PorscheWu
Also share with Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 馬定一 Ken Chih-Chien Lin 閻惠昌 Fusao Kajima 陳樹熙 邱瑗 辛幸純 葉綠娜 錢大同 陳漢金 Pi-Hua Chuang Meng-Hsien Peng Yen-Yin Chu Martin Ng 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Wesley Chia Wei Lin 林清山 YuanPu Chiao Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 樂興之時管絃樂團 Philharmonia Moments Musicaux 台北愛樂合唱團Taipei Philharmonic Chorus 國立臺灣師範大學音樂學系交響樂團 國立臺灣藝術大學音樂學系 輔仁大學音樂系Fju Music
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 陳榮昇 李商宇 張景民 Canon Huang 莊清霖 張浩 Chan Wang 杜英麟 黃瑀萌 林祐民 吳松庭 林子祥 胡志瑋 梁婉筠Wan-Yun Liang 林昀宏 Yun-Ting Chen Yen-Yen Yen-Chao Chang 邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 陳瑋琮 楊忠衡 鄒昌銘 Martha Argerich Lang Lang - 郎朗 Daming Zhu 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 Andy Scott Ayako Takagi Kenta Saito Yoshiko Matsumoto Jin Ta Steven Mead Enjott Schneider Wu Wei Adam Chou 郭靖沐
江靖波 老師，我也嘴破且一直有皮屑在排出體外，包含嘴唇、後頸、後腦勺髮緣皮膚等。 宋光清 老師前幾天腳的小拇指也劇痛，包含有一些人是咳嗽、有點倦怠、腳酸或痛麻。而很多學生則是腸胃不適、女生則是經痛，這些如果我們能理解其中可能，不但對於我們自己的反轉修復有幫助，還對於我們周遭的親朋好友有好處的！因為，我們身上好的感覺，能夠與他們分享，
★★★★★這是一件很重要的事情。 雖然我還是會分享許瀞心老師八月的影片，但我認為您們這些台灣大老級的老師們，一定也要想到她，甚至找她出去走走，喝下午茶，環境和好的想法，也能讓許瀞心老師有好的意念，這也是個好方式喔！
I think you senior teachers in Taiwan must also think of her, and even ask her to go out for a walk and have afternoon tea. The thoughts of a harmonious environment can also make prof. APO Hsu have good thoughts. This is also a good idea, and this is a good way!
★★★★★在演奏《Armonica》時，我甚至心想「到底在演什麼啊」？所有人無論如何，心中都要想著Armonica的存在，聲音要去支持它，你們心中有Armonica嗎？那個長音瘋狂敲擊的S.C.和整個擊樂有在想嗎？鋼琴甚至從ppp開始，管樂和弦樂的f難道和玻璃琴的一樣嗎？你們有聽到手風琴協助玻璃琴擺盪的聲音嗎？也就是整首曲子，前3/2段，除了開頭、玻璃琴自己下行音階(sustain all notes)時，還有樂團止奏時，我們才能聽得到玻璃琴，其他全被樂團淹沒。 While playing "Armonica", I even thought to myself, "What on earth are you playing?" No matter what, everyone must think about the existence of Armonica in our hearts, and our sounds must support it. Do you have Armonica in your hearts? Are the S.C. and other percussionists with the crazy long notes thinking of Armonica? The piano even started from ppp. Is the f of wind and string instruments the same as that of Armonica? Have you heard the sound of the accordion assisting Armonica in oscillating(waving)? That is to say, in the first 3/2 sections of the entire music, except for the beginning 2 measures, when Armonica descends the scale (sustain all notes), and when the orchestra stops playing, we can hear Armonica , the rest is overshadowed by the orchestra.而分享標示的各位，至今有什麼想法呢？因為您們很多也是當代代表性人物，不是嗎？ What do you think so far, everyone I’ve tagged and shared? Because many of you are also contemporary representative people, right? 有人想到許瀞心，而趕快約她走馬看花嗎？ Did anyone think of prof. APO Hsu and quickly invite her out for something tasty or amazing? 有的，我今天馬上就見到她的笑容，請再接再厲！我們每個人總能找到一些屬於自己的方法！ Yes, I have seen her smile. Please keep up the good work! Each of us can always find some ways that works for us! 你們說說，即便會感到那短暫的不適，這樣的我們自己，不值得期待和欣賞嗎？ Tell me, even if we feel the brief discomfort, isn't this ourselves worth looking forward to and appreciating?
我自己覺得這樣不太好，原因是容易丟失自己，情緒可能易有波動(對不同時間的自己而言，另一個自己反而會變外力影響)。甚至在急緩之間，容易心裡感到有點「躁鬱」、在意他人眼光，或自己的感覺(需較良好感覺來支持自己)。
I personally feel that this is not good. The reason is that it is easy to lose yourself, and the mood may fluctuate easily (for the self at different times, the other self might become an external force). Even between urgency and relief, it is easy to feel a little "manic and depressed" in the heart, caring about other people's opinions, or your own feelings (because you need a better feeling to support your selves).
所有人或多或少都有一些這樣的狀況，請多觀察自己。我和天地現在在做的事，協助在思考的人，找到自己，顯露真實的自己。哪怕要褪去層層外衣(有可能是一部分後來的自己)。
Everyone has this situation to some extent, so please observe yourself more. What the heaven and earth and I are doing now is to share with people who are thinking, to find themselves and reveal their true selves. Even if you have to take off layers of outer clothing (maybe part of your later selves).
但我相信日久見人心，我們也可欣賞...
But I believe that we will see as time goes by, we can also appreciate...
江靖波 老師的帥氣 brilliant
https://www.facebook.com/photo/?fbid=10161547508983617&set=pcb.10161547509948617
Aikuang Sun 老師的美麗 elegant
https://www.facebook.com/aikuang.sun/videos/1297592354988662/
宋光清 老師的女兒越來越可愛 lovely
https://www.facebook.com/photo?fbid=10161167504436491&set=pcb.10161167509496491
這些事情，有舉足輕重的意義！所以，新生命和大自然都回應這樣的思維。我透過事實來分享，但您們看到的是「口無遮攔」還是「事事用心」，則不是我考量的範圍。
These things are of great significance! Therefore, new life and nature respond to this kind of thinking. I share facts, but whether what you see is "casual abuse" or "be sincere in everything" is not the scope of my consideration.
★【為人父母、科學家、宗教界必看】前主播 魏華萱 的寶寶真厲害，即使他如此年幼，卻這樣努力透過呼吸和世界分享「我最喜歡吳時捷哥哥，(0:21)我會加油...我會加油...」。
[A must-read for parents, scientists, and religious people] This little baby is so amazing. Even though he is still so young, he works so hard to share "I like Wu Shihjie the most, (0:21) I have to work hard...I have to work hard..." through breathing with the world.
https://porschewu0714.blogspot.com/2024/11/021-this-little-baby-is-so-amazing-even.html
★★★★★我相信，我的內容正好符合「像神明凌空拍頭或是給你一巴掌，靈光乍現」。
I believe that my content is exactly the same as "like a volley of gods patting you on the head or giving you a slap in the face."
2024-11-30_來自整個音樂廳和Widmann的致謝：「真的很謝謝您，吳時捷」。最後一首Mozart如魚得水，好聽到聽眾都無法自拔了！但，我們卻從畫面上看到， NSO國家交響樂團 團員竟然好多臉色凝重？這樣熱烈的掌聲，表情卻笑不出來？可能是怎樣的心情(也可能是誰的感覺?)在身上作祟和影響(牽引)呢？
Applause of thanks came from the entire concert hall and from Widmann: "Really thank you, Wu Shihjie." The last song, Mozart, was like a fish in water, and the audience couldn't help but listen! However, we all see from the video that many NSO musicians have serious faces? There was such warm applause, but there was no smile on the face? What kind of mood (it also might be whose feeling?) may be causing turbulence and influencing (pulling) these poeple?
https://porschewu0714.blogspot.com/2024/12/1130-jorg-widmannnsochrista.html
★★★★★如論如何，我們都應該實事求是，據實以報(謹呈自己)。
No matter what, we should seek truth from facts and convey the situation according to the truth (to your selves sincerely and prudently).
一、越來越清楚的犬語想傳達世界，「我最喜歡吳時捷哥哥」，世界是否有跟上腳步呢？我只是沒多說明，新生命有很多意念源自天地。
The increasingly clear dog language wants to convey to the world, "I love Wu Shihjie the most." Has the world kept up? I just didn’t explain much, but many of the EN (thoughts) for growth in new life originate from heaven and earth.
https://www.facebook.com/watch/?v=1292974145166830
Dogs know how to communicate through calls (electromagnetic thoughts): "We have to work hard to find our selves." People who don’t understand just feel it funny and don’t care about what the world is going. Especially those who take advantage of the name of science and religion to achieve their position to speak, how could they understand the value of life (living beings), because they live too superficially.
https://porschewu0714.blogspot.com/2024/06/dogs-know-how-to-communicate-through.html
★天地在發言，我能透過事實協助世界理解。連嬰兒都想透過呼吸跟我說話。
Heaven and earth speak, and I can help the world understand these through facts. Even the baby wants to talk to me through its breath.
天地萬物第一步為「找到自己」。
The first thing for all living beings is to "find yourself".
https://www.facebook.com/watch/?v=979586597301036
歡迎追蹤Facebook，以接收世界最真實的聲音。
Welcome to follow my Facebook to receive the most real voices in the world.
https://www.facebook.com/PorscheWu
Also share with Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 馬定一 Ken Chih-Chien Lin 閻惠昌 Fusao Kajima 陳樹熙 邱瑗 辛幸純 葉綠娜 錢大同 陳漢金 Pi-Hua Chuang Meng-Hsien Peng Yen-Yin Chu Martin Ng 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Wesley Chia Wei Lin 林清山 YuanPu Chiao Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 樂興之時管絃樂團 Philharmonia Moments Musicaux 台北愛樂合唱團Taipei Philharmonic Chorus 國立臺灣師範大學音樂學系交響樂團 國立臺灣藝術大學音樂學系 輔仁大學音樂系Fju Music
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 陳榮昇 李商宇 張景民 Canon Huang 莊清霖 張浩 Chan Wang 杜英麟 黃瑀萌 林祐民 吳松庭 林子祥 胡志瑋 梁婉筠Wan-Yun Liang 林昀宏 Yun-Ting Chen Yen-Yen Yen-Chao Chang 邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 陳瑋琮 楊忠衡 鄒昌銘 Martha Argerich Lang Lang - 郎朗 Daming Zhu 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 Andy Scott Ayako Takagi Kenta Saito Yoshiko Matsumoto Jin Ta Steven Mead Enjott Schneider Wu Wei Adam Chou 郭靖沐
我的內容有多重要，得用事實來看！這也是為何2024年中開始，陳文茜、彭文正、周玉琴、朱學恒、葛斯齊、溫朗東、林月琴、陳培瑜、葛如鈞、吳音寧、李貴敏、吳春城、羅淑蕾、羅文嘉、張延廷、劉坤鱧、孫振元、陳鴻源、王孝維、沈志霖、吾爾開希、中央健康保險署前署長 李伯璋，產學各界包含佛光大學校長 何卓飛、臺藝大前校長 陳志誠、經濟學家 杜震華、中國惠普前總裁/德州儀器前亞太總裁/富士康集團前副總裁 程天縱、NEXCOM董事長 林茂昌、好事聯播網 副董事長 孫吳也、前中央通訊社董事長 陳國祥、財經時事評論員 黃世聰、資深媒體人 唐湘龍、台北影音節目製作商業同業公會理事長 陳仲祺、遠流出版公司董事長 王榮文、《Heho健康》創辦人兼董事長 張璨、台灣設計研究院 TDRI 副院長 林鑫保、策略思維商學院 院長及專業講師 孫治華、新文化基金會 董事長 林大雄、數位時代總編輯 王志仁、還有許多科學家、教授、音樂家們等人願意立即加入朋友？並非表示什麼，而是為了我們自己可以接收一些重要事實來共進未來、調整自我。這些人的用心與勇氣值得分享。為了台灣和中國的未來，相對位高權重者和媒體們，理應接收這些資訊，包含我分享中國、美國和全世界的內容。未來與認知有關，更可追蹤或加入朋友，接收這些天地最美且實在的聲音與內容，共進未來！【Info】我念資訊管理。畢業後，指揮管樂團至30歲。
I studied in information management in the university. After graduating, I conducted university wind bands until the age of 30.
30歲後，我歷經資訊專員、數位整合行銷、產品副理，歷經了三份工作、三個產業、三種級別，四年間全被炒魷魚。儘管產業從來不一樣，卻總能往上前行。
After that, I experienced Programming Specialist / Marketing Specialist / Product PM, went through 3 jobs, 3 industries, 3 levels, all were fired in 4 years. Although it's never in the same industry, can always be promoted.
還和樂團與國外歌者演出了幾場歌劇。
Also performed several operas with some orchestras and foreign singers.
2021-01-27起，我一直透過日常重新學習，反覆確認與修正自己，同時試著協助解讀天道系統，可簡單理解為《星際大戰》中的「原力(the force)」。
2024年12月4日 星期三
來自整個音樂廳和Widmann的致謝：「真的很謝謝您，吳時捷」。最後一首Mozart如魚得水，好聽到聽眾都無法自拔了！但，我們卻從畫面上看到， NSO國家交響樂團 團員竟然好多臉色凝重？這樣熱烈的掌聲，表情卻笑不出來？可能是怎樣的心情(也可能是誰的感覺?)在身上作祟和影響(牽引)呢？ Applause of thanks came from the entire concert hall and from Widmann: "Really thank you, Wu Shihjie." The last song, Mozart, was like a fish in water, and the audience couldn't help but listen! However, we all see from the video that many NSO musicians have serious faces? There was such warm applause, but there was no smile on the face? What kind of mood (it also might be whose feeling?) may be causing turbulence and influencing (pulling) these poeple?
【修己揚他/AskSelf】【意念/EN】【場域/FIELD】【時空/SpaceTime】【反轉向上/ReverseUp】【教育/Education】【影視/Film】【音樂/Music】
發音 Pronouce: https://translate.google.com/details?sl=zh-TW&tl=en&text=%E7%9C%9F%E7%9A%84%E5%BE%88%E8%AC%9D%E8%AC%9D%E4%BD%A0%EF%BC%8C%E5%90%B3%E6%99%82%E6%8D%B7
11/30 Jörg Widmann和NSO的音樂會，中場休息時，Christa Schönfeldinger上台分享玻璃琴，並趁機想傳達台灣「【大聲聆聽】真的很謝謝您，吳時捷，我們會試著找到自己，請您繼續散發這樣的自己」。過程中，還可以察覺到她不時緩了說話的物理聲音，讓我們能記錄到這些事實。原因又是為何呢？
[Applause of thanks came from the entire concert hall and from Widmann] 11/30 Jörg Widmann and NSO’s concert, during the intermission, Christa Schönfeldinger came on stage to share the Armonica, and took the opportunity to convey Taiwan “[listen loudly] Thank you very much, Wu Shihjie, we will try to find ourselves, please keep sharing such your selves." During the process, we can also notice that she delayed the physical sound of her speech from time to time, allowing us to record these facts. What is the reason?
發音 Pronouce: https://translate.google.com/details?sl=zh-TW&tl=en&text=%E7%9C%9F%E7%9A%84%E5%BE%88%E8%AC%9D%E8%AC%9D%E6%82%A8%EF%BC%8C%E5%90%B3%E6%99%82%E6%8D%B7%EF%BC%8C%E6%88%91%E5%80%91%E6%9C%83%E8%A9%A6%E8%91%97%E6%89%BE%E5%88%B0%E8%87%AA%E5%B7%B1%EF%BC%8C%E8%AB%8B%E6%82%A8%E7%B9%BC%E7%BA%8C%E6%95%A3%E7%99%BC%E9%80%99%E6%A8%A3%E7%9A%84%E8%87%AA%E5%B7%B1
瑜樂精選 您還真是先知：「如果需要宇宙級提點，這場音樂會應該可以像神明凌空拍頭或是給你一巴掌，靈光乍現」。
You are truly a prophet: "If you need a cosmic reminder, this concert should be like a volley of gods patting you on the head or giving you a slap in the face."
https://www.facebook.com/bigichao/posts/pfbid02V5gegU5hL2Ln2Ao5qQXaPE1mGyPCwRU5DmQyotzbdQsajBtf29rXsVm5CpM5QKXnl
我自己不太會因為看似有什麼人物的意念存在而膨脹自己，關鍵依然在「自抑修己，欣賞揚他」，這是一種「成人」之美，用於檢視自己的「觀自在」。
I don't tend to inflate myself because someone seems to have thoughts. The key is still to "restrain oneself and appreciate others." This is a kind of beauty of "achieve others (also yourself)" and used to examine yourself, "to see yourself".
附帶一提，音樂會的中場休息有規定不能錄影嗎？
By the way, is there a rule against video recording during the intermission of the concert?
再分享 黃日昇 在Threads分享我們Christa Schönfeldinger在彩排時演奏的Mozart玻璃琴音樂《 Adagio for glass harmonica in C major》。
I would like to share with you the clips of Mozart glass harmonica music played by Christa Schönfeldinger during the rehearsal that Jih-Sheng Huang posted on Threads.
https://www.threads.net/@jerryno1.tw/post/DC_j7Y0BWFZ
我回覆他說：「Widmann跳起來或踏指揮台傳達YES，甚至是TRY IT，包含誇張地提示吸氣與上揚」。都在鼓勵樂團一定要往這個方向嘗試！這也表示Widmann的大腦(意念形的自己)有接收到我分享他的音樂，所以Christa Schönfeldinger在中場時，才會刻意拉長發言時間，想傳達我和台灣一些訊息。
I replied: "Widmann jumps up or steps on the conductor's podium to convey YES, or even TRY IT, including exaggerated reminders of inhaling and rising." This encourages the orchestra to try in this thinking! This also means that Widmann's brain (EN-type self) has received the music I shared with him, so Christa Schönfeldinger deliberately extended her speech during the intermission to convey some information for me and Taiwan.
最後，我想補充的是...(自抑的內容，大都沒那麼悅耳，卻是養分)
Finally, what I want to say is... (most of the content about self-restraint is not so pleasant to the ears, but it can be nourishing)
★★★★★在演奏《Armonica》時，我甚至心想「到底在演什麼啊」？所有人無論如何，心中都要想著Armonica的存在，聲音要去支持它，你們心中有Armonica嗎？那個長音瘋狂敲擊的S.C.和整個擊樂有在想嗎？鋼琴甚至從ppp開始，管樂和弦樂的f難道和玻璃琴的一樣嗎？你們有聽到手風琴協助玻璃琴擺盪的聲音嗎？也就是整首曲子，前3/2段，除了開頭、玻璃琴自己下行音階(sustain all notes)時，還有樂團止奏時，我們才能聽得到玻璃琴，其他全被樂團淹沒。
While playing "Armonica", I even thought to myself, "What on earth are you playing?" No matter what, everyone must think about the existence of Armonica in our hearts, and our sounds must support it. Do you have Armonica in your hearts? Are the S.C. and other percussionists with the crazy long notes thinking of Armonica? The piano even started from ppp. Is the f of wind and string instruments the same as that of Armonica? Have you heard the sound of the accordion assisting Armonica in oscillating(waving)? That is to say, in the first 3/2 sections of the entire music, except for the beginning 2 measures, when Armonica descends the scale (sustain all notes), and when the orchestra stops playing, we can hear Armonica , the rest is overshadowed by the orchestra.
到底是什麼樂團啊！？
What kind of orchestra is this? ?
★有幾首Mozart，若有更多意念協助，音樂便可以左右連貫，盡情揮灑，和開頭差很多，各位知道嗎？下半場的Mozart，聽眾可以聽到心曠神怡，舒服極了，我相信整個NSO都知道非常地不一樣！
For several Mozarts, if there are more EN (thoughts) to help, the music can be coherent and free-flowing, which is much different from the beginning. Do you know? In the second half of Mozart, the audience can hear that it is refreshing and comfortable. I believe the entire NSO knows that it is very different!
★我相信他們參演，是為了記錄各國音樂的程度，信不信隨各位。Widmann指揮也不會講太多這些要求，會順著各位多些，而他則是在曲目末段試著靠音樂本身提醒各位。當然，Widmann在下半場的積極鼓舞，相信每位音樂家都能感受到。
I believe they participated in so many performances to record the thought of music in various countries. Believe it or not is up to you. Conductor Widmann will not talk too much about these thoughts, he lets everyone play by your wishes more, and he is trying to remind everyone through the music itself at the end of the piece. Of course, Widmann’s positive encouragement in the second half is something I believe every musician can feel.
★★★★★《Armonica》，是一首「自抑」的音樂。所有聲音要想辦法乘載在玻璃琴與手風琴的擺盪之上，包含顆粒狀的聲音(鋼琴、豎琴、鋼片琴，以及擊樂)！
"Armonica" is a piece of "self-restraint" music. All sounds must find a way to ride on the swings of the glass organ and accordion, including granular sounds (piano, harp, celesta)!
★請一定要持續回想音樂末段的質感，再回想自己演奏音樂的心態。
Please be sure to keep thinking about the texture of the last part of the music, and then think about our mentality when playing the music.
★因為到了末段，所有聽眾和樂團的演奏者，應該都能感受到不小的左右擺盪，因為只有在這最後結尾，聲音才真正慢慢地疊合到玻璃琴身上。倘若你沒感覺，表示沒在聽，也沒在感受。
Because at the end of the piece, all the audience and the orchestra players should be able to feel somewhat left and right oscillating, because it is only at the end that the sound really slowly merges onto the bodyof Armonica. If you don't feel it, it means you are not listening or feeling.
未來，誰會是全世界第一個領受環境歡騰之人呢？那個人，我想，可能是個「找到自己」之人(更多思考自己，檢視自己)。
[Confirm all video facts to understand the meaning of gravity and space-time(MUSIC)] I sent hundreds of emails, not only to professors and musicians at various university music departments in Taiwan, but also to the offices of Jörg Widmann and Christa Schönfeldinger. The reason is that I believe that since Widmann himself has put forward the thought of "My focus is the detection of the inherent gravitation of tonality", he must have a lot of connotations that we have not yet felt and noticed. So, of course I share those and factual records with them.
https://porschewu0714.blogspot.com/2024/11/emailjorg-widmannchrista.html
在唱了「天上的星星不說話」後，北捷列車回應下一句，您是否有確認聽見？
After singing the first line of lyrics, the MRT train responded with the next line. Did you confirm that you heard it?
★★★★★若你當時在列車上，我相信你無法辨識這段旋律或音樂，原因可能為何？但是，一旦我現在分享給你這段影片，為何你能辨識得了呢？原因又可能為何？
If you were on the train at that time, I believe you could not recognize this melody or music. What might be the reason? But once I share this video with you now, why can you recognize it? What could be the reason?
★★★★★那這一段呢？先試試看有沒有辦法聽得出來大概在傳達什麼呢？
What about this video? Try it first and see if there is any way to hear what it is conveying?
答案如下，看到前幾個字後，不妨趕快再回去聆聽一次，這些能力對未來都大有幫助。
The answer is as follows. After reading the first few words, you might as well go back and listen again. These abilities will be of great help in the future.
2024-10-23_至華山光點看國際女性影展， 台北捷運 Metro Taipei 北捷列車試著傳達「我們真的很謝謝你，(0:16)吳時捷，(0:21)台灣謝謝你，(0:27)請您繼續散發這樣的自己」。不時就會有千百人聽見。也許該開始請教科學家和宗教團體，何解？
Going to the Huashan Spot to watch the International Women Film Festival, the MRT train tried to convey: "We really thank you, (0:16) Wu Shihjie, (0:21) Taiwan thanks you, (0:27) Please keep sharing such your selves." From time to time hundreds of people would hear it. Maybe we should start asking scientists and religious groups what the explanation is?
https://porschewu0714.blogspot.com/2024/10/metro-taipei-016021027nobel-going-to.html
而且，台灣已經有音樂家開始嘗試與分享這些能引動「環境和未來」的思維了。
Moreover, some musicians in Taiwan have begun to try and share these thoughts that can inspire and draw "environment and future".
二、2024-11-24_許崴 介紹 Jörg Widmann ，我有一些內容可以分享。關於《Con Brio》， Shiuan Chang 張玹說「(4:07)貝七的和聲中間突然插了很多一般人認為的噪音，某一種致敬或他希望解構...(4:21)他是用一個比較輕鬆的方式在做這個事」？當我一聽到他的創作時，我便直言「他中間製造的氣音(類似於白噪音)，我相信是用來觀察音樂家的意念，是否有足夠的重力和趨向，來牽引物理聲音」。
I have a few things to share about Wei Hsu's introducing Jörg Widmann. Regarding "Con Brio", Shiuan Chang said, "(4:07) It's like the harmony of Beethoven's Symphony No. 7 suddenly inserted a lot of noise that most people think of as a kind of tribute or he hopes to deconstruct...(4:21) He is doing this in a relatively relaxed way"? When I heard this piece, I said bluntly, "The air sound (similar to white noise) created in the middle is, I believe, used to observe the musician's EN (thoughts) and whether there is enough gravity and tendency to pull the physical sound."
https://porschewu0714.blogspot.com/2024/11/jorg-widmanncon-brio407421-i-have-few.html
==
★天地在發言，我能透過事實協助世界理解。連嬰兒都透過呼吸跟我說話，你的眼神長相渙散奇怪(不像自己)又如何？我所言具修復力，全世界在轉換，只要不學習，早晚會發現自己變另一個人。
Heaven and earth speak, and I can help the world understand these through facts. Even the baby wants to talk to me through its breath, so what about your eyes and looking being strange (not like yourself)? My content has the power to restore, the whole world is converting, sooner or later.
★【為人父母、科學家、宗教界必看】前主播 魏華萱 的寶寶真厲害，即使他如此年幼，卻這樣努力透過呼吸和世界分享「我最喜歡吳時捷哥哥，(0:21)我會加油...我會加油...」。
[A must-read for parents, scientists, and religious people] This little baby is so amazing. Even though he is still so young, he works so hard to share "I like Wu Shihjie the most, (0:21) I have to work hard...I have to work hard..." through breathing with the world.
https://porschewu0714.blogspot.com/2024/11/021-this-little-baby-is-so-amazing-even.html
天地萬物第一步為「找到自己」。
The first thing for all living beings is to "find yourself".
https://www.facebook.com/watch/?v=979586597301036
歡迎追蹤Facebook，以接收世界最真實的聲音。
Welcome to follow my Facebook to receive the most real voices in the world.
https://www.facebook.com/PorscheWu
Also share with Aikuang Sun Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 ShaoChia Lü 呂紹嘉 馬定一 江靖波 閻惠昌 Fusao Kajima 陳樹熙 邱瑗 辛幸純 葉綠娜 錢大同 陳漢金 Pi-Hua Chuang Meng-Hsien Peng Yen-Yin Chu Martin Ng 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Wesley Chia Wei Lin 林清山 YuanPu Chiao Adam Chou 郭靖沐 NSO國家交響樂團 Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 樂興之時管絃樂團 Philharmonia Moments Musicaux 台北愛樂合唱團Taipei Philharmonic Chorus 國立臺灣師範大學音樂學系交響樂團 北藝大音樂學系Department of Music, T.N.U.A. 北藝大音樂學院 國立臺灣藝術大學音樂學系 輔仁大學音樂系Fju Music
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 陳榮昇 李商宇 宋光清 張景民 Canon Huang 莊清霖 張浩 Chan Wang 陳彥豪 杜英麟 黃瑀萌 林祐民 吳松庭 tzuhsiang.lin.14林子祥 chihwei.hu.18胡志瑋 梁婉筠Wan-Yun Liang 吳鳳媖 林昀宏 bari325Yun-Ting Chen Yen-Yen Yen-Chao Chang vvhitewhale邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 陳瑋琮 melyang楊忠衡 鄒昌銘/呂紹淳 Martha Argerich Lang Lang - 郎朗 Daming Zhu 諸大明 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 andy.scott.9Andy Scott Ayako Takagi Kenta Saito matsumoto.yoshiko.16 Jin Ta Steven Mead
Theodora Pavlovitch Ekaterina Shelehova Enjott Schneider Wu Wei
來自整個音樂廳和Widmann的致謝：「真的很謝謝您，吳時捷」。最後一首Mozart如魚得水，好聽到聽眾都無法自拔了！但，我們卻從畫面上看到， NSO國家交響樂團 團員竟然好多臉色凝重？這樣熱烈的掌聲，表情卻笑不出來？可能是怎樣的心情(也可能是誰的感覺?)在身上作祟和影響(牽引)呢？
Applause of thanks came from the entire concert hall and from Widmann: "Really thank you, Wu Shihjie." The last song, Mozart, was like a fish in water, and the audience couldn't help but listen! However, we all see from the video that many NSO musicians have serious faces? There was such warm applause, but there was no smile on the face? What kind of mood (it also might be whose feeling?) may be causing turbulence and influencing (pulling) these poeple?
發音 Pronouce: https://translate.google.com/details?sl=zh-TW&tl=en&text=%E7%9C%9F%E7%9A%84%E5%BE%88%E8%AC%9D%E8%AC%9D%E4%BD%A0%EF%BC%8C%E5%90%B3%E6%99%82%E6%8D%B7
11/30 Jörg Widmann和NSO的音樂會，中場休息時，Christa Schönfeldinger上台分享玻璃琴，並趁機想傳達台灣「【大聲聆聽】真的很謝謝您，吳時捷，我們會試著找到自己，請您繼續散發這樣的自己」。過程中，還可以察覺到她不時緩了說話的物理聲音，讓我們能記錄到這些事實。原因又是為何呢？
[Applause of thanks came from the entire concert hall and from Widmann] 11/30 Jörg Widmann and NSO’s concert, during the intermission, Christa Schönfeldinger came on stage to share the Armonica, and took the opportunity to convey Taiwan “[listen loudly] Thank you very much, Wu Shihjie, we will try to find ourselves, please keep sharing such your selves." During the process, we can also notice that she delayed the physical sound of her speech from time to time, allowing us to record these facts. What is the reason?
發音 Pronouce: https://translate.google.com/details?sl=zh-TW&tl=en&text=%E7%9C%9F%E7%9A%84%E5%BE%88%E8%AC%9D%E8%AC%9D%E6%82%A8%EF%BC%8C%E5%90%B3%E6%99%82%E6%8D%B7%EF%BC%8C%E6%88%91%E5%80%91%E6%9C%83%E8%A9%A6%E8%91%97%E6%89%BE%E5%88%B0%E8%87%AA%E5%B7%B1%EF%BC%8C%E8%AB%8B%E6%82%A8%E7%B9%BC%E7%BA%8C%E6%95%A3%E7%99%BC%E9%80%99%E6%A8%A3%E7%9A%84%E8%87%AA%E5%B7%B1
瑜樂精選 您還真是先知：「如果需要宇宙級提點，這場音樂會應該可以像神明凌空拍頭或是給你一巴掌，靈光乍現」。
You are truly a prophet: "If you need a cosmic reminder, this concert should be like a volley of gods patting you on the head or giving you a slap in the face."
我自己不太會因為看似有什麼人物的意念存在而膨脹自己，關鍵依然在「自抑修己，欣賞揚他」，這是一種「成人」之美，用於檢視自己的「觀自在」。
I don't tend to inflate myself because someone seems to have thoughts. The key is still to "restrain oneself and appreciate others." This is a kind of beauty of "achieve others (also yourself)" and used to examine yourself, "to see yourself".
附帶一提，音樂會的中場休息有規定不能錄影嗎？
By the way, is there a rule against video recording during the intermission of the concert?
再分享 黃日昇 在Threads分享我們Christa Schönfeldinger在彩排時演奏的Mozart玻璃琴音樂《 Adagio for glass harmonica in C major》。
I would like to share with you the clips of Mozart glass harmonica music played by Christa Schönfeldinger during the rehearsal that Jih-Sheng Huang posted on Threads.
https://www.threads.net/@jerryno1.tw/post/DC_j7Y0BWFZ
我回覆他說：「Widmann跳起來或踏指揮台傳達YES，甚至是TRY IT，包含誇張地提示吸氣與上揚」。都在鼓勵樂團一定要往這個方向嘗試！這也表示Widmann的大腦(意念形的自己)有接收到我分享他的音樂，所以Christa Schönfeldinger在中場時，才會刻意拉長發言時間，想傳達我和台灣一些訊息。
I replied: "Widmann jumps up or steps on the conductor's podium to convey YES, or even TRY IT, including exaggerated reminders of inhaling and rising." This encourages the orchestra to try in this thinking! This also means that Widmann's brain (EN-type self) has received the music I shared with him, so Christa Schönfeldinger deliberately extended her speech during the intermission to convey some information for me and Taiwan.
最後，我想補充的是...(自抑的內容，大都沒那麼悅耳，卻是養分)
Finally, what I want to say is... (most of the content about self-restraint is not so pleasant to the ears, but it can be nourishing)
★★★★★在演奏《Armonica》時，我甚至心想「到底在演什麼啊」？所有人無論如何，心中都要想著Armonica的存在，聲音要去支持它，你們心中有Armonica嗎？那個長音瘋狂敲擊的S.C.和整個擊樂有在想嗎？鋼琴甚至從ppp開始，管樂和弦樂的f難道和玻璃琴的一樣嗎？你們有聽到手風琴協助玻璃琴擺盪的聲音嗎？也就是整首曲子，前3/2段，除了開頭、玻璃琴自己下行音階(sustain all notes)時，還有樂團止奏時，我們才能聽得到玻璃琴，其他全被樂團淹沒。
While playing "Armonica", I even thought to myself, "What on earth are you playing?" No matter what, everyone must think about the existence of Armonica in our hearts, and our sounds must support it. Do you have Armonica in your hearts? Are the S.C. and other percussionists with the crazy long notes thinking of Armonica? The piano even started from ppp. Is the f of wind and string instruments the same as that of Armonica? Have you heard the sound of the accordion assisting Armonica in oscillating(waving)? That is to say, in the first 3/2 sections of the entire music, except for the beginning 2 measures, when Armonica descends the scale (sustain all notes), and when the orchestra stops playing, we can hear Armonica , the rest is overshadowed by the orchestra.
到底是什麼樂團啊！？
What kind of orchestra is this? ?
★有幾首Mozart，若有更多意念協助，音樂便可以左右連貫，盡情揮灑，和開頭差很多，各位知道嗎？下半場的Mozart，聽眾可以聽到心曠神怡，舒服極了，我相信整個NSO都知道非常地不一樣！
For several Mozarts, if there are more EN (thoughts) to help, the music can be coherent and free-flowing, which is much different from the beginning. Do you know? In the second half of Mozart, the audience can hear that it is refreshing and comfortable. I believe the entire NSO knows that it is very different!
★我相信他們參演，是為了記錄各國音樂的程度，信不信隨各位。Widmann指揮也不會講太多這些要求，會順著各位多些，而他則是在曲目末段試著靠音樂本身提醒各位。當然，Widmann在下半場的積極鼓舞，相信每位音樂家都能感受到。
I believe they participated in so many performances to record the thought of music in various countries. Believe it or not is up to you. Conductor Widmann will not talk too much about these thoughts, he lets everyone play by your wishes more, and he is trying to remind everyone through the music itself at the end of the piece. Of course, Widmann’s positive encouragement in the second half is something I believe every musician can feel.
★★★★★《Armonica》，是一首「自抑」的音樂。所有聲音要想辦法乘載在玻璃琴與手風琴的擺盪之上，包含顆粒狀的聲音(鋼琴、豎琴、鋼片琴，以及擊樂)！
"Armonica" is a piece of "self-restraint" music. All sounds must find a way to ride on the swings of the glass organ and accordion, including granular sounds (piano, harp, celesta)!
★請一定要持續回想音樂末段的質感，再回想自己演奏音樂的心態。
Please be sure to keep thinking about the texture of the last part of the music, and then think about our mentality when playing the music.
★因為到了末段，所有聽眾和樂團的演奏者，應該都能感受到不小的左右擺盪，因為只有在這最後結尾，聲音才真正慢慢地疊合到玻璃琴身上。倘若你沒感覺，表示沒在聽，也沒在感受。
Because at the end of the piece, all the audience and the orchestra players should be able to feel somewhat left and right oscillating, because it is only at the end that the sound really slowly merges onto the bodyof Armonica. If you don't feel it, it means you are not listening or feeling.
★★★★★這也是一種協助自己和他人的方式喔！(請想到許瀞心老師)
★★★★★This is also a way to help yourself and others! (Please think of prof. APO Hsu)
未來，誰會是全世界第一個領受環境歡騰之人呢？那個人，我想，可能是個「找到自己」之人(更多思考自己，檢視自己)。
In the future, who will be the first person in the world to embrace environmental joy? That person, I think, might be someone who "finds selves" (thinks more about selves and examines selves).
一、2024-11-25_【確認所有影片事實，以理解重力和時空(音樂)的意義】我寄出數百封email，除了台灣各大學音樂系教授與音樂家外，還包含Jörg Widmann和Christa Schönfeldinger的辦公室。原因是，我相信既然Widmann自己已提出「想辨識調性的內存重力」這樣的想法，表示，他一定有很多內涵我們還沒有用心感受與察覺。所以，我當然會與他們分享這些內容和事實記錄。[Confirm all video facts to understand the meaning of gravity and space-time(MUSIC)] I sent hundreds of emails, not only to professors and musicians at various university music departments in Taiwan, but also to the offices of Jörg Widmann and Christa Schönfeldinger. The reason is that I believe that since Widmann himself has put forward the thought of "My focus is the detection of the inherent gravitation of tonality", he must have a lot of connotations that we have not yet felt and noticed. So, of course I share those and factual records with them.
https://porschewu0714.blogspot.com/2024/11/emailjorg-widmannchrista.html
在唱了「天上的星星不說話」後，北捷列車回應下一句，您是否有確認聽見？
After singing the first line of lyrics, the MRT train responded with the next line. Did you confirm that you heard it?
★★★★★若你當時在列車上，我相信你無法辨識這段旋律或音樂，原因可能為何？但是，一旦我現在分享給你這段影片，為何你能辨識得了呢？原因又可能為何？
If you were on the train at that time, I believe you could not recognize this melody or music. What might be the reason? But once I share this video with you now, why can you recognize it? What could be the reason?
★★★★★那這一段呢？先試試看有沒有辦法聽得出來大概在傳達什麼呢？
What about this video? Try it first and see if there is any way to hear what it is conveying?
答案如下，看到前幾個字後，不妨趕快再回去聆聽一次，這些能力對未來都大有幫助。
The answer is as follows. After reading the first few words, you might as well go back and listen again. These abilities will be of great help in the future.
2024-10-23_至華山光點看國際女性影展， 台北捷運 Metro Taipei 北捷列車試著傳達「我們真的很謝謝你，(0:16)吳時捷，(0:21)台灣謝謝你，(0:27)請您繼續散發這樣的自己」。不時就會有千百人聽見。也許該開始請教科學家和宗教團體，何解？
Going to the Huashan Spot to watch the International Women Film Festival, the MRT train tried to convey: "We really thank you, (0:16) Wu Shihjie, (0:21) Taiwan thanks you, (0:27) Please keep sharing such your selves." From time to time hundreds of people would hear it. Maybe we should start asking scientists and religious groups what the explanation is?
https://porschewu0714.blogspot.com/2024/10/metro-taipei-016021027nobel-going-to.html
而且，台灣已經有音樂家開始嘗試與分享這些能引動「環境和未來」的思維了。
Moreover, some musicians in Taiwan have begun to try and share these thoughts that can inspire and draw "environment and future".
2024-07-05_回覆指揮江靖波老師分享聽到「一閃一閃亮晶晶，滿街都是小精靈」的影片。下次在這樣的環境裡可以適度音量播放我的魯冰花影片(或我其他任何較大牽引的影片)，我相信都能聽得到整個環境都在唱魯冰花(或發出同樣的迴響)，記得到時一定要試試看，很有意思！
Reply to the video that conductor Ching-Po (Paul) Chiang heard of "Twinkle and twinkle, the streets are full of elves". Next time in such an environment, you can play my 《Lupinus》 video (or any of my other great-pilling videos) at a moderate volume. I believe you can hear the whole environment singing Lupinus (or emitting the same echo), remember. You must try it, it’s very interesting!
https://porschewu0714.blogspot.com/2024/07/reply-to-video-shared-by-conductor.html二、2024-11-24_許崴 介紹 Jörg Widmann ，我有一些內容可以分享。關於《Con Brio》， Shiuan Chang 張玹說「(4:07)貝七的和聲中間突然插了很多一般人認為的噪音，某一種致敬或他希望解構...(4:21)他是用一個比較輕鬆的方式在做這個事」？當我一聽到他的創作時，我便直言「他中間製造的氣音(類似於白噪音)，我相信是用來觀察音樂家的意念，是否有足夠的重力和趨向，來牽引物理聲音」。
I have a few things to share about Wei Hsu's introducing Jörg Widmann. Regarding "Con Brio", Shiuan Chang said, "(4:07) It's like the harmony of Beethoven's Symphony No. 7 suddenly inserted a lot of noise that most people think of as a kind of tribute or he hopes to deconstruct...(4:21) He is doing this in a relatively relaxed way"? When I heard this piece, I said bluntly, "The air sound (similar to white noise) created in the middle is, I believe, used to observe the musician's EN (thoughts) and whether there is enough gravity and tendency to pull the physical sound."
https://porschewu0714.blogspot.com/2024/11/jorg-widmanncon-brio407421-i-have-few.html
==
★天地在發言，我能透過事實協助世界理解。連嬰兒都透過呼吸跟我說話，你的眼神長相渙散奇怪(不像自己)又如何？我所言具修復力，全世界在轉換，只要不學習，早晚會發現自己變另一個人。
Heaven and earth speak, and I can help the world understand these through facts. Even the baby wants to talk to me through its breath, so what about your eyes and looking being strange (not like yourself)? My content has the power to restore, the whole world is converting, sooner or later.
★【為人父母、科學家、宗教界必看】前主播 魏華萱 的寶寶真厲害，即使他如此年幼，卻這樣努力透過呼吸和世界分享「我最喜歡吳時捷哥哥，(0:21)我會加油...我會加油...」。
[A must-read for parents, scientists, and religious people] This little baby is so amazing. Even though he is still so young, he works so hard to share "I like Wu Shihjie the most, (0:21) I have to work hard...I have to work hard..." through breathing with the world.
https://porschewu0714.blogspot.com/2024/11/021-this-little-baby-is-so-amazing-even.html
天地萬物第一步為「找到自己」。
The first thing for all living beings is to "find yourself".
https://www.facebook.com/watch/?v=979586597301036
歡迎追蹤Facebook，以接收世界最真實的聲音。
Welcome to follow my Facebook to receive the most real voices in the world.
https://www.facebook.com/PorscheWu
Also share with Aikuang Sun Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 ShaoChia Lü 呂紹嘉 馬定一 江靖波 閻惠昌 Fusao Kajima 陳樹熙 邱瑗 辛幸純 葉綠娜 錢大同 陳漢金 Pi-Hua Chuang Meng-Hsien Peng Yen-Yin Chu Martin Ng 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Wesley Chia Wei Lin 林清山 YuanPu Chiao Adam Chou 郭靖沐 NSO國家交響樂團 Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 樂興之時管絃樂團 Philharmonia Moments Musicaux 台北愛樂合唱團Taipei Philharmonic Chorus 國立臺灣師範大學音樂學系交響樂團 北藝大音樂學系Department of Music, T.N.U.A. 北藝大音樂學院 國立臺灣藝術大學音樂學系 輔仁大學音樂系Fju Music
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 陳榮昇 李商宇 宋光清 張景民 Canon Huang 莊清霖 張浩 Chan Wang 陳彥豪 杜英麟 黃瑀萌 林祐民 吳松庭 tzuhsiang.lin.14林子祥 chihwei.hu.18胡志瑋 梁婉筠Wan-Yun Liang 吳鳳媖 林昀宏 bari325Yun-Ting Chen Yen-Yen Yen-Chao Chang vvhitewhale邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 陳瑋琮 melyang楊忠衡 鄒昌銘/呂紹淳 Martha Argerich Lang Lang - 郎朗 Daming Zhu 諸大明 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 andy.scott.9Andy Scott Ayako Takagi Kenta Saito matsumoto.yoshiko.16 Jin Ta Steven Mead
Theodora Pavlovitch Ekaterina Shelehova Enjott Schneider Wu Wei
我的內容有多重要，得用事實來看！這也是為何2024年中開始，陳文茜、彭文正、周玉琴、朱學恒、葛斯齊、溫朗東、林月琴、陳培瑜、葛如鈞、吳音寧、李貴敏、吳春城、羅淑蕾、羅文嘉、張延廷、劉坤鱧、孫振元、陳鴻源、王孝維、沈志霖、吾爾開希、中央健康保險署前署長 李伯璋，產學各界包含佛光大學校長 何卓飛、臺藝大前校長 陳志誠、經濟學家 杜震華、中國惠普前總裁/德州儀器前亞太總裁/富士康集團前副總裁 程天縱、NEXCOM董事長 林茂昌、好事聯播網 副董事長 孫吳也、前中央通訊社董事長 陳國祥、財經時事評論員 黃世聰、資深媒體人 唐湘龍、台北影音節目製作商業同業公會理事長 陳仲祺、遠流出版公司董事長 王榮文、《Heho健康》創辦人兼董事長 張璨、台灣設計研究院 TDRI 副院長 林鑫保、策略思維商學院 院長及專業講師 孫治華、新文化基金會 董事長 林大雄、數位時代總編輯 王志仁、還有許多科學家、教授、音樂家們等人願意立即加入朋友？並非表示什麼，而是為了我們自己可以接收一些重要事實來共進未來、調整自我。這些人的用心與勇氣值得分享。為了台灣和中國的未來，相對位高權重者和媒體們，理應接收這些資訊，包含我分享中國、美國和全世界的內容。未來與認知有關，更可追蹤或加入朋友，接收這些天地最美且實在的聲音與內容，共進未來！【Info】我念資訊管理。畢業後，指揮管樂團至30歲。
I studied in information management in the university. After graduating, I conducted university wind bands until the age of 30.
30歲後，我歷經資訊專員、數位整合行銷、產品副理，歷經了三份工作、三個產業、三種級別，四年間全被炒魷魚。儘管產業從來不一樣，卻總能往上前行。
After that, I experienced Programming Specialist / Marketing Specialist / Product PM, went through 3 jobs, 3 industries, 3 levels, all were fired in 4 years. Although it's never in the same industry, can always be promoted.
還和樂團與國外歌者演出了幾場歌劇。
Also performed several operas with some orchestras and foreign singers.
2021-01-27起，我一直透過日常重新學習，反覆確認與修正自己，同時試著協助解讀天道系統，可簡單理解為《星際大戰》中的「原力(the force)」。
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