來自整個音樂廳和Widmann的致謝：「真的很謝謝您，吳時捷」。最後一首Mozart如魚得水，好聽到聽眾都無法自拔了！但，我們卻從畫面上看到， NSO國家交響樂團 團員竟然好多臉色凝重？這樣熱烈的掌聲，表情卻笑不出來？可能是怎樣的心情(也可能是誰的感覺?)在身上作祟和影響(牽引)呢？
Applause of thanks came from the entire concert hall and from Widmann: "Really thank you, Wu Shihjie." The last song, Mozart, was like a fish in water, and the audience couldn't help but listen! However, we all see from the video that many NSO musicians have serious faces? There was such warm applause, but there was no smile on the face? What kind of mood (it also might be whose feeling?) may be causing turbulence and influencing (pulling) these poeple?
發音 Pronouce: https://translate.google.com/details?sl=zh-TW&tl=en&text=%E7%9C%9F%E7%9A%84%E5%BE%88%E8%AC%9D%E8%AC%9D%E4%BD%A0%EF%BC%8C%E5%90%B3%E6%99%82%E6%8D%B7
11/30 Jörg Widmann和NSO的音樂會，中場休息時，Christa Schönfeldinger上台分享玻璃琴，並趁機想傳達台灣「【大聲聆聽】真的很謝謝您，吳時捷，我們會試著找到自己，請您繼續散發這樣的自己」。過程中，還可以察覺到她不時緩了說話的物理聲音，讓我們能記錄到這些事實。原因又是為何呢？
[Applause of thanks came from the entire concert hall and from Widmann] 11/30 Jörg Widmann and NSO’s concert, during the intermission, Christa Schönfeldinger came on stage to share the Armonica, and took the opportunity to convey Taiwan “[listen loudly] Thank you very much, Wu Shihjie, we will try to find ourselves, please keep sharing such your selves." During the process, we can also notice that she delayed the physical sound of her speech from time to time, allowing us to record these facts. What is the reason?
發音 Pronouce: https://translate.google.com/details?sl=zh-TW&tl=en&text=%E7%9C%9F%E7%9A%84%E5%BE%88%E8%AC%9D%E8%AC%9D%E6%82%A8%EF%BC%8C%E5%90%B3%E6%99%82%E6%8D%B7%EF%BC%8C%E6%88%91%E5%80%91%E6%9C%83%E8%A9%A6%E8%91%97%E6%89%BE%E5%88%B0%E8%87%AA%E5%B7%B1%EF%BC%8C%E8%AB%8B%E6%82%A8%E7%B9%BC%E7%BA%8C%E6%95%A3%E7%99%BC%E9%80%99%E6%A8%A3%E7%9A%84%E8%87%AA%E5%B7%B1
瑜樂精選 您還真是先知：「如果需要宇宙級提點，這場音樂會應該可以像神明凌空拍頭或是給你一巴掌，靈光乍現」。
You are truly a prophet: "If you need a cosmic reminder, this concert should be like a volley of gods patting you on the head or giving you a slap in the face."
我自己不太會因為看似有什麼人物的意念存在而膨脹自己，關鍵依然在「自抑修己，欣賞揚他」，這是一種「成人」之美，用於檢視自己的「觀自在」。
I don't tend to inflate myself because someone seems to have thoughts. The key is still to "restrain oneself and appreciate others." This is a kind of beauty of "achieve others (also yourself)" and used to examine yourself, "to see yourself".
附帶一提，音樂會的中場休息有規定不能錄影嗎？
By the way, is there a rule against video recording during the intermission of the concert?
再分享 黃日昇 在Threads分享我們Christa Schönfeldinger在彩排時演奏的Mozart玻璃琴音樂《 Adagio for glass harmonica in C major》。
I would like to share with you the clips of Mozart glass harmonica music played by Christa Schönfeldinger during the rehearsal that Jih-Sheng Huang posted on Threads.
https://www.threads.net/@jerryno1.tw/post/DC_j7Y0BWFZ
我回覆他說：「Widmann跳起來或踏指揮台傳達YES，甚至是TRY IT，包含誇張地提示吸氣與上揚」。都在鼓勵樂團一定要往這個方向嘗試！這也表示Widmann的大腦(意念形的自己)有接收到我分享他的音樂，所以Christa Schönfeldinger在中場時，才會刻意拉長發言時間，想傳達我和台灣一些訊息。
I replied: "Widmann jumps up or steps on the conductor's podium to convey YES, or even TRY IT, including exaggerated reminders of inhaling and rising." This encourages the orchestra to try in this thinking! This also means that Widmann's brain (EN-type self) has received the music I shared with him, so Christa Schönfeldinger deliberately extended her speech during the intermission to convey some information for me and Taiwan.
最後，我想補充的是...(自抑的內容，大都沒那麼悅耳，卻是養分)
Finally, what I want to say is... (most of the content about self-restraint is not so pleasant to the ears, but it can be nourishing)
★★★★★在演奏《Armonica》時，我甚至心想「到底在演什麼啊」？所有人無論如何，心中都要想著Armonica的存在，聲音要去支持它，你們心中有Armonica嗎？那個長音瘋狂敲擊的S.C.和整個擊樂有在想嗎？鋼琴甚至從ppp開始，管樂和弦樂的f難道和玻璃琴的一樣嗎？你們有聽到手風琴協助玻璃琴擺盪的聲音嗎？也就是整首曲子，前3/2段，除了開頭、玻璃琴自己下行音階(sustain all notes)時，還有樂團止奏時，我們才能聽得到玻璃琴，其他全被樂團淹沒。
While playing "Armonica", I even thought to myself, "What on earth are you playing?" No matter what, everyone must think about the existence of Armonica in our hearts, and our sounds must support it. Do you have Armonica in your hearts? Are the S.C. and other percussionists with the crazy long notes thinking of Armonica? The piano even started from ppp. Is the f of wind and string instruments the same as that of Armonica? Have you heard the sound of the accordion assisting Armonica in oscillating(waving)? That is to say, in the first 3/2 sections of the entire music, except for the beginning 2 measures, when Armonica descends the scale (sustain all notes), and when the orchestra stops playing, we can hear Armonica , the rest is overshadowed by the orchestra.
到底是什麼樂團啊！？
What kind of orchestra is this? ?
★有幾首Mozart，若有更多意念協助，音樂便可以左右連貫，盡情揮灑，和開頭差很多，各位知道嗎？下半場的Mozart，聽眾可以聽到心曠神怡，舒服極了，我相信整個NSO都知道非常地不一樣！
For several Mozarts, if there are more EN (thoughts) to help, the music can be coherent and free-flowing, which is much different from the beginning. Do you know? In the second half of Mozart, the audience can hear that it is refreshing and comfortable. I believe the entire NSO knows that it is very different!
★我相信他們參演，是為了記錄各國音樂的程度，信不信隨各位。Widmann指揮也不會講太多這些要求，會順著各位多些，而他則是在曲目末段試著靠音樂本身提醒各位。當然，Widmann在下半場的積極鼓舞，相信每位音樂家都能感受到。
I believe they participated in so many performances to record the thought of music in various countries. Believe it or not is up to you. Conductor Widmann will not talk too much about these thoughts, he lets everyone play by your wishes more, and he is trying to remind everyone through the music itself at the end of the piece. Of course, Widmann’s positive encouragement in the second half is something I believe every musician can feel.
★★★★★《Armonica》，是一首「自抑」的音樂。所有聲音要想辦法乘載在玻璃琴與手風琴的擺盪之上，包含顆粒狀的聲音(鋼琴、豎琴、鋼片琴，以及擊樂)！
"Armonica" is a piece of "self-restraint" music. All sounds must find a way to ride on the swings of the glass organ and accordion, including granular sounds (piano, harp, celesta)!
★請一定要持續回想音樂末段的質感，再回想自己演奏音樂的心態。
Please be sure to keep thinking about the texture of the last part of the music, and then think about our mentality when playing the music.
★因為到了末段，所有聽眾和樂團的演奏者，應該都能感受到不小的左右擺盪，因為只有在這最後結尾，聲音才真正慢慢地疊合到玻璃琴身上。倘若你沒感覺，表示沒在聽，也沒在感受。
Because at the end of the piece, all the audience and the orchestra players should be able to feel somewhat left and right oscillating, because it is only at the end that the sound really slowly merges onto the bodyof Armonica. If you don't feel it, it means you are not listening or feeling.
★★★★★這也是一種協助自己和他人的方式喔！(請想到許瀞心老師)
★★★★★This is also a way to help yourself and others! (Please think of prof. APO Hsu)
未來，誰會是全世界第一個領受環境歡騰之人呢？那個人，我想，可能是個「找到自己」之人(更多思考自己，檢視自己)。
In the future, who will be the first person in the world to embrace environmental joy? That person, I think, might be someone who "finds selves" (thinks more about selves and examines selves).
一、2024-11-25_【確認所有影片事實，以理解重力和時空(音樂)的意義】我寄出數百封email，除了台灣各大學音樂系教授與音樂家外，還包含Jörg Widmann和Christa Schönfeldinger的辦公室。原因是，我相信既然Widmann自己已提出「想辨識調性的內存重力」這樣的想法，表示，他一定有很多內涵我們還沒有用心感受與察覺。所以，我當然會與他們分享這些內容和事實記錄。[Confirm all video facts to understand the meaning of gravity and space-time(MUSIC)] I sent hundreds of emails, not only to professors and musicians at various university music departments in Taiwan, but also to the offices of Jörg Widmann and Christa Schönfeldinger. The reason is that I believe that since Widmann himself has put forward the thought of "My focus is the detection of the inherent gravitation of tonality", he must have a lot of connotations that we have not yet felt and noticed. So, of course I share those and factual records with them.
https://porschewu0714.blogspot.com/2024/11/emailjorg-widmannchrista.html
在唱了「天上的星星不說話」後，北捷列車回應下一句，您是否有確認聽見？
After singing the first line of lyrics, the MRT train responded with the next line. Did you confirm that you heard it?
★★★★★若你當時在列車上，我相信你無法辨識這段旋律或音樂，原因可能為何？但是，一旦我現在分享給你這段影片，為何你能辨識得了呢？原因又可能為何？
If you were on the train at that time, I believe you could not recognize this melody or music. What might be the reason? But once I share this video with you now, why can you recognize it? What could be the reason?
★★★★★那這一段呢？先試試看有沒有辦法聽得出來大概在傳達什麼呢？
What about this video? Try it first and see if there is any way to hear what it is conveying?
答案如下，看到前幾個字後，不妨趕快再回去聆聽一次，這些能力對未來都大有幫助。
The answer is as follows. After reading the first few words, you might as well go back and listen again. These abilities will be of great help in the future.
2024-10-23_至華山光點看國際女性影展， 台北捷運 Metro Taipei 北捷列車試著傳達「我們真的很謝謝你，(0:16)吳時捷，(0:21)台灣謝謝你，(0:27)請您繼續散發這樣的自己」。不時就會有千百人聽見。也許該開始請教科學家和宗教團體，何解？
Going to the Huashan Spot to watch the International Women Film Festival, the MRT train tried to convey: "We really thank you, (0:16) Wu Shihjie, (0:21) Taiwan thanks you, (0:27) Please keep sharing such your selves." From time to time hundreds of people would hear it. Maybe we should start asking scientists and religious groups what the explanation is?
https://porschewu0714.blogspot.com/2024/10/metro-taipei-016021027nobel-going-to.html
而且，台灣已經有音樂家開始嘗試與分享這些能引動「環境和未來」的思維了。
Moreover, some musicians in Taiwan have begun to try and share these thoughts that can inspire and draw "environment and future".
2024-07-05_回覆指揮江靖波老師分享聽到「一閃一閃亮晶晶，滿街都是小精靈」的影片。下次在這樣的環境裡可以適度音量播放我的魯冰花影片(或我其他任何較大牽引的影片)，我相信都能聽得到整個環境都在唱魯冰花(或發出同樣的迴響)，記得到時一定要試試看，很有意思！
Reply to the video that conductor Ching-Po (Paul) Chiang heard of "Twinkle and twinkle, the streets are full of elves". Next time in such an environment, you can play my 《Lupinus》 video (or any of my other great-pilling videos) at a moderate volume. I believe you can hear the whole environment singing Lupinus (or emitting the same echo), remember. You must try it, it’s very interesting!
https://porschewu0714.blogspot.com/2024/07/reply-to-video-shared-by-conductor.html二、2024-11-24_許崴 介紹 Jörg Widmann ，我有一些內容可以分享。關於《Con Brio》， Shiuan Chang 張玹說「(4:07)貝七的和聲中間突然插了很多一般人認為的噪音，某一種致敬或他希望解構...(4:21)他是用一個比較輕鬆的方式在做這個事」？當我一聽到他的創作時，我便直言「他中間製造的氣音(類似於白噪音)，我相信是用來觀察音樂家的意念，是否有足夠的重力和趨向，來牽引物理聲音」。
I have a few things to share about Wei Hsu's introducing Jörg Widmann. Regarding "Con Brio", Shiuan Chang said, "(4:07) It's like the harmony of Beethoven's Symphony No. 7 suddenly inserted a lot of noise that most people think of as a kind of tribute or he hopes to deconstruct...(4:21) He is doing this in a relatively relaxed way"? When I heard this piece, I said bluntly, "The air sound (similar to white noise) created in the middle is, I believe, used to observe the musician's EN (thoughts) and whether there is enough gravity and tendency to pull the physical sound."
https://porschewu0714.blogspot.com/2024/11/jorg-widmanncon-brio407421-i-have-few.html
==
★天地在發言，我能透過事實協助世界理解。連嬰兒都透過呼吸跟我說話，你的眼神長相渙散奇怪(不像自己)又如何？我所言具修復力，全世界在轉換，只要不學習，早晚會發現自己變另一個人。
Heaven and earth speak, and I can help the world understand these through facts. Even the baby wants to talk to me through its breath, so what about your eyes and looking being strange (not like yourself)? My content has the power to restore, the whole world is converting, sooner or later.
★【為人父母、科學家、宗教界必看】前主播 魏華萱 的寶寶真厲害，即使他如此年幼，卻這樣努力透過呼吸和世界分享「我最喜歡吳時捷哥哥，(0:21)我會加油...我會加油...」。
[A must-read for parents, scientists, and religious people] This little baby is so amazing. Even though he is still so young, he works so hard to share "I like Wu Shihjie the most, (0:21) I have to work hard...I have to work hard..." through breathing with the world.
https://porschewu0714.blogspot.com/2024/11/021-this-little-baby-is-so-amazing-even.html
天地萬物第一步為「找到自己」。
The first thing for all living beings is to "find yourself".
https://www.facebook.com/watch/?v=979586597301036
歡迎追蹤Facebook，以接收世界最真實的聲音。
Welcome to follow my Facebook to receive the most real voices in the world.
https://www.facebook.com/PorscheWu
Also share with Aikuang Sun Chiafen Weng 簡文秀 H.K. OuYang 彭廣林 林天吉 Ju Tzong-Ching 鍾耀光 ShaoChia Lü 呂紹嘉 馬定一 江靖波 閻惠昌 Fusao Kajima 陳樹熙 邱瑗 辛幸純 葉綠娜 錢大同 陳漢金 Pi-Hua Chuang Meng-Hsien Peng Yen-Yin Chu Martin Ng 莫啟慧 Hsiuchin Lee 孔孝誠 Bello Chang 羅俊穎 陳黃源 馬泰宇 趙成立 James Y. Lin Jason Lin Wesley Chia Wei Lin 林清山 YuanPu Chiao Adam Chou 郭靖沐 NSO國家交響樂團 Taipei Symphony Orchestra 北市交 臺灣國樂團 NCO 臺北市立國樂團 樂興之時管絃樂團 Philharmonia Moments Musicaux 台北愛樂合唱團Taipei Philharmonic Chorus 國立臺灣師範大學音樂學系交響樂團 北藝大音樂學系Department of Music, T.N.U.A. 北藝大音樂學院 國立臺灣藝術大學音樂學系 輔仁大學音樂系Fju Music
Also share with 葉樹涵 吳建銘 段富軒 郭聯昌 溫瑟爾 ChiungYu Christy Chen 陳榮昇 李商宇 宋光清 張景民 Canon Huang 莊清霖 張浩 Chan Wang 陳彥豪 杜英麟 黃瑀萌 林祐民 吳松庭 tzuhsiang.lin.14林子祥 chihwei.hu.18胡志瑋 梁婉筠Wan-Yun Liang 吳鳳媖 林昀宏 bari325Yun-Ting Chen Yen-Yen Yen-Chao Chang vvhitewhale邱浩瑋 陳建安 廖晏樟 張國威 符秦僥 顏慶賢 唐宥恩 陳瑋琮 melyang楊忠衡 鄒昌銘/呂紹淳 Martha Argerich Lang Lang - 郎朗 Daming Zhu 諸大明 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Piano Chun-Chieh 我是江老師 小游老師 andy.scott.9Andy Scott Ayako Takagi Kenta Saito matsumoto.yoshiko.16 Jin Ta Steven Mead
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