來自國家音樂廳和天母國中管樂團學生的感謝與致意。無論哪一個樂團上台的腳步聲和環境聲響，都會匯集並傳達這樣的心聲，原因為何呢？ Thanks and compliments from the National Concert Hall and students of the Tianmu Junior High School Windband. No matter which band comes on stage, the footsteps and sounds around us would converge and convey this sentiment. Why?

【修己揚他/AskSelf】【意念/EN】【場域/FIELD】【時空/SpaceTime】【反轉向上/ReverseUp】【教育/Education】【影視/Film】【音樂/Music】
來自國家音樂廳和天母國中管樂團學生的感謝與致意。無論哪一個樂團上台的腳步聲和環境聲響，都會匯集並傳達這樣的心聲，原因為何呢？
Thanks and compliments from the National Concert Hall and students of the Tianmu Junior High School Windband. No matter which band comes on stage, the footsteps and sounds around us would converge and convey this sentiment. Why?

國家音樂廳的感謝聲：「真的很謝謝您，吳時捷」。
Thank you from the National Concert Hall Thank you very much, Wu Shihjie."

Video Source https://www.facebook.com/share/p/82SF1n4tNEurSSWq/

天母國中管樂團的學生們致謝聲：「真的很謝謝您，吳時捷哥哥，謝謝您對音樂還有我們的用心，謝謝您」。
The students of the Tianmu Junior High School Wind Band expressed their thanks: "Thank you very much, Wu Shihjie, thank you for your dedication to music and us, thank you."

Video Source: https://www.facebook.com/share/p/U754HEP7t5MEHpJV/

★★★★★為何天母國中管樂團(的存在)不是感謝王戰？為何天地沒有感謝呂紹嘉大師指NSO？

Why doesn’t Tianmu High School Wind Band thank Wang Chan for its existence? Why didn’t Heaven and Earth thank Master Lu Shaochia for conducting NSO?

因為平常的掌聲已經夠多了，甚至溢於其表，所以無須多言謝，這才是關鍵。

Because the usual applause is enough and even overflowing, there is no need to say thank you. This is the point.

2024-04-27_(分享給朗朗和Sir Ian McKellen)越懂得「自問自答，反求諸己」與「自抑修己，欣賞揚他」的人，除了能力，還有更多的介接資源，因為珍惜「真心」和「用心」。各位發自真心地讚嘆和感受，必然會有他人來協助，無須多言。

(Shared with Lang Lang and Sir Ian McKellen) The more people know how to "ask and answer questions for yourselves, and seek yourselves" and "restrain yourself and cultivate yourself, appreciate and praise others", in addition to abilities, they also have more intermediary resources, because space-time cherishing "sincerity" and "intention". If we sincerely praise and express the feelings, others will surely assist in many things, so there is no need to say anything.
https://porschewu0714.blogspot.com/2024/04/sir-ian-mckellen-shared-with-lang-lang.html

這篇內容可以帶給我們和孩子們很大的力量，如果你們願意慢慢多看幾次的話。

This content can bring a lot of possibilities to us and our children, if you are willing to read it several times over time.

★★★★★這是天地和孩子們和我道謝的關鍵因素，原因為何呢？

This is the key factor for Heaven and Earth and the children to thank me. Why?

2024-04-30_風雨雷聲除了歌唱，還清楚傳達「真的很謝謝您，吳時捷。真的有操控裂解意念在裂解台灣的音樂，我是 江靖波 ，謝謝您對於《愛無限，樂無界》的蒞臨，我和 郭靖沐 (通常是指意念形的你們)聽錄音都有點起雞皮疙瘩的感覺，謝謝你，未來再相遇喔」！

In addition to singing, Storm and Thunder also clearly conveyed "Thank you very much, Wu Shihjie. There are really people with manipulating and cracking ENs (thoughts) to scatter the music of Taiwan. I am Ching-Po (Paul) Chiang. Thank you for coming to "Boundaryless Music Infinite Love". Jing Mu Kuo and I (usually referring to your EN-type selves) feel like to have goosebumps when listening to the recording. Thank you, meet each of again in the future!".
https://porschewu0714.blogspot.com/2024/04/in-addition-to-singing-storm-and.html

這篇內容可以看得出如何解讀(感受)、分享、介接、讚揚和話語，如果你們願意慢慢多看幾次的話。

From this content, we can see how to interpret (feel), share, interplay, appriciate and express, if you are willing to read it several times over time.

★★★★★這是天地和各位未知的自己會和我分享許多事情和能力來相伴的關鍵因素，原因為何呢？

This is the key factor for why Heaven and Earth and your unknown selves would share many things and abilities to accompany with me. Why?

2024-06-04_呂紹嘉，「音樂先想要走向何方，再回到自己，接著才餘音繞樑」。您可在未來印證此思維，對音樂一定更具貢獻，對台上音樂家也更具意義。我們的存在，是將心中珍視與動心的音樂和想法，分享給演出的團員和台下的聽眾，方不愧自己與天地。

"The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers." You can prove such thinking in the future, and it would definitely contribute more to music and be more meaningful to the musicians on stage. Our existence is to share the music and thoughts that we treasure and touch in our hearts with performers and the audience, so that we can be worthy of our selves and the heaven and the earth.
https://porschewu0714.blogspot.com/2024/06/music-must-first-go-where-it-wants-to.html

這篇內容可以看得出未來如何建立好的音樂場域，透過「音樂先想要走向何方，再回到自己，接著才餘音繞樑」。

From this content, we can see how to build a good music field in the future, through "The music must first go where it wants to go, and then returns to ourselves, and then the sound lingers." 

★★★★★這是我所謂未來良好樂團應具備的特質，很大部分要透過指揮來引導。眼神交會、預備拍的引動(呼吸)還有思維的飛揚特別關鍵，原因為何呢？

This is what I call the characteristics that a good orchestra of the future should possess, and it is the conductor’s duty to lead the music. Eye contacting, pulling (breathing) of preparatory beat, and flying thinking are particularly important. Why?